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Chapter 2. Fin’amor, Stil Novo: Chaucer’s Early Influences
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Chapters in this book
- Frontmatter I
- Preface VII
- Contents IX
- Notes on the Texts and Translations XI
- Abbreviations of Chaucer’s Works XIII
- Introduction 1
- Chapter 1. Polyphony and Multilingualism in Medieval England 19
- Chapter 2. Fin’amor, Stil Novo: Chaucer’s Early Influences 37
- Chapter 3. Narrative Evolution and New Discursive Strategies 65
- Chapter 4. Troilus and Criseyde and the Ambiguity of Double Enunciation 95
- Chapter 5. Hybridization and the Legend of Chaucer’s Inventiveness 127
- Chapter 6. Extradiegetic Dialogue in The Canterbury Tales 167
- Conclusion 205
- Bibliography 209
- Index 221
Chapters in this book
- Frontmatter I
- Preface VII
- Contents IX
- Notes on the Texts and Translations XI
- Abbreviations of Chaucer’s Works XIII
- Introduction 1
- Chapter 1. Polyphony and Multilingualism in Medieval England 19
- Chapter 2. Fin’amor, Stil Novo: Chaucer’s Early Influences 37
- Chapter 3. Narrative Evolution and New Discursive Strategies 65
- Chapter 4. Troilus and Criseyde and the Ambiguity of Double Enunciation 95
- Chapter 5. Hybridization and the Legend of Chaucer’s Inventiveness 127
- Chapter 6. Extradiegetic Dialogue in The Canterbury Tales 167
- Conclusion 205
- Bibliography 209
- Index 221