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Clues from the Papyri: Structure and Style of Chariton’s Novel

  • Marina F. A. Martelli
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Cultural Crossroads in the Ancient Novel
This chapter is in the book Cultural Crossroads in the Ancient Novel

Abstract

Through a collation of codex F with papyrus fragments, I advance a suggestion about Chariton’s style (use of compound verbs, syntax, introduction of direct speeches). The papyrus fragments are valuable to the constitutio textus, sometimes supplying what is evidently a better reading. Then, I consider the time and manner of textual transmission. The text of F diverges considerably from the lost fragment of a palimpsest parchment codex, Thebanus, preserved in a partial transcription by Wilcken. Thebanus is also evidence for the circulation of books in late antiquity: the text of Chariton could have been adapted for a less cultivated public.

Abstract

Through a collation of codex F with papyrus fragments, I advance a suggestion about Chariton’s style (use of compound verbs, syntax, introduction of direct speeches). The papyrus fragments are valuable to the constitutio textus, sometimes supplying what is evidently a better reading. Then, I consider the time and manner of textual transmission. The text of F diverges considerably from the lost fragment of a palimpsest parchment codex, Thebanus, preserved in a partial transcription by Wilcken. Thebanus is also evidence for the circulation of books in late antiquity: the text of Chariton could have been adapted for a less cultivated public.

Chapters in this book

  1. Frontmatter I
  2. Acknowledgements V
  3. Table of Contents VII
  4. Introduction 1
  5. Mapping the World in the Ancient Novel
  6. Sailing from Massalia, or Mapping Out the Significance of Encolpius’ Travels in the Satyrica 7
  7. Xenophon’s ‘Round Trip’: Geography as Narrative Consistency in the Ephesiaka 17
  8. Permeable Worlds in Iamblichus’s Babyloniaka 29
  9. Babylonian Stories and the Ancient Novel: Magi and the Limits of Empire in Iamblichus’ Babyloniaka 39
  10. Theama Kainon: Reading Natural History in Achilles Tatius’ Leucippe and Clitophon 51
  11. The Dialogic Imagination
  12. Fortunata and Terentia: A Model for Trimalchio’s Wife 65
  13. Elements of Ancient Novel and Novella in Tacitus 79
  14. ‘A mirror carried along a high road’? Reflections on (and of) Society in the Greek Novel 93
  15. The Heroikos of Philostratus: A Novel of Heroes, and more 107
  16. Springs as a Civilizing Mechanism in Daphnis and Chloe 123
  17. Arcadia Revisited: Material Gardens and Virtual Spaces in Longus’ Daphnis and Chloe and in Roman Landscape Painting 143
  18. Narrating Voyages to Heaven and Hell: Seneca, Apuleius, and Bakhtin’s Menippea 163
  19. Turning Points in Scholarship on the Ancient Novel
  20. Copyists’ Versions and the Readership of the Greek Novel 183
  21. Clues from the Papyri: Structure and Style of Chariton’s Novel 195
  22. New Evidence For Dating The Discovery At Traù Of The Petronian Cena Trimalchionis 209
  23. Bologna as Hypata: Annotation, Transformation, and Transl(oc)ation in the Circles of Filippo Beroaldo and Francesco Colonna 221
  24. The First Japanese Translation of Daphnis & Chloe 239
  25. Boundaries: Geographical and Metaphorical
  26. Refiguring the Animal/Human Divide in Apuleius and Heliodorus 251
  27. Eros the Cheese Maker: A Food Studies Approach to Daphnis and Chloe 263
  28. Rethinking Landscape in Ancient Fiction: Mountains in Apuleius and Jerome 277
  29. Kangaroo Courts: Displaced Justice in the Roman Novel 291
  30. Character and Emotion in the Ancient Novel
  31. Pity vs. Forgiveness in Pagan and Judaeo-Christian Narratives 305
  32. The Interaction of Emotions in the Greek Novels 315
  33. A Critique of Curiosity: Magic and Fiction in Apuleius’ Metamorphoses 327
  34. Spectacles of a Dormant Soul: A Reading of Plato’s Gyges and Apuleius’ Lucius 341
  35. Why doesn’t Habrocomes run away from Aegialeus and his Mummified Wife?: Horror and the Ancient Novel 361
  36. List of Contributors 377
  37. Index nominum et rerum 381
  38. Index locorum 389
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