Cultural Crossroads in the Ancient Novel
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Edited by:
Marília P. Futre Pinheiro
About this book
The protagonists of the ancient novels wandered or were carried off to distant lands, from Italy in the west to Persia in the east and Ethiopia in the south; the authors themselves came, or pretended to come, from remote places such as Aphrodisia and Phoenicia; and the novelistic form had antecedents in a host of classical genres. These intersections are explored in this volume. Papers in the first section discuss “mapping the world in the novels.” The second part looks at the dialogical imagination, and the conversation between fiction and history in the novels. Section 3 looks at the way ancient fiction has been transmitted and received. Space, as the locus of cultural interaction and exchange, is the topic of the fourth part. The fifth and final section is devoted to character and emotion, and how these are perceived or constructed in ancient fiction. Overall, a rich picture is offered of the many spatial and cultural dimensions in a variety of ancient fictional genres.
Author / Editor information
M. P. Futre Pinheiro, Universidade de Lisboa, Portugal; D. Konstan, New York University, USA; B. D. MacQueen, University of Tulsa, USA.
Topics
Publicly Available Download PDF |
I |
Marília P. Futre Pinheiro Requires Authentication Unlicensed Licensed Download PDF |
V |
Requires Authentication Unlicensed Licensed Download PDF |
VII |
David Konstan Requires Authentication Unlicensed Licensed Download PDF |
1 |
Mapping the World in the Ancient Novel
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Gottskálk Jensson Requires Authentication Unlicensed Licensed Download PDF |
7 |
Andrea Capra Requires Authentication Unlicensed Licensed Download PDF |
17 |
Dimitri Kasprzyk Requires Authentication Unlicensed Licensed Download PDF |
29 |
Catherine Connors Requires Authentication Unlicensed Licensed Download PDF |
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Ashli Jane Elizabeth Baker Requires Authentication Unlicensed Licensed Download PDF |
51 |
The Dialogic Imagination
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Shannon N. Byrne Requires Authentication Unlicensed Licensed Download PDF |
65 |
Christoph Kugelmeier Requires Authentication Unlicensed Licensed Download PDF |
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Sophie Lalanne Requires Authentication Unlicensed Licensed Download PDF |
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Francesca Mestre and Pilar Gómez Requires Authentication Unlicensed Licensed Download PDF |
107 |
Janelle Peters Requires Authentication Unlicensed Licensed Download PDF |
123 |
Martina Meyer Requires Authentication Unlicensed Licensed Download PDF |
143 |
H. Christian Blood Requires Authentication Unlicensed Licensed Download PDF |
163 |
Turning Points in Scholarship on the Ancient Novel
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Manuel Sanz Morales Requires Authentication Unlicensed Licensed Download PDF |
183 |
Marina F. A. Martelli Requires Authentication Unlicensed Licensed Download PDF |
195 |
Nicola Pace Requires Authentication Unlicensed Licensed Download PDF |
209 |
Robert H. F. Carver Requires Authentication Unlicensed Licensed Download PDF |
221 |
Saiichiro Nakatani Requires Authentication Unlicensed Licensed Download PDF |
239 |
Boundaries: Geographical and Metaphorical
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Ellen Finkelpearl Requires Authentication Unlicensed Licensed Download PDF |
251 |
Mary Jaeger Requires Authentication Unlicensed Licensed Download PDF |
263 |
Jason König Requires Authentication Unlicensed Licensed Download PDF |
277 |
John Bodel Requires Authentication Unlicensed Licensed Download PDF |
291 |
Character and Emotion in the Ancient Novel
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David Konstan Requires Authentication Unlicensed Licensed Download PDF |
305 |
Michael Cummings Requires Authentication Unlicensed Licensed Download PDF |
315 |
Cristiana Sogno Requires Authentication Unlicensed Licensed Download PDF |
327 |
Vered Lev Kenaan Requires Authentication Unlicensed Licensed Download PDF |
341 |
Why doesn’t Habrocomes run away from Aegialeus and his Mummified Wife?: Horror and the Ancient Novel
Edmund P. Cueva Requires Authentication Unlicensed Licensed Download PDF |
361 |
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377 |
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381 |
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