Chapters in this book

1. Frontmatter i
2. Contents v
3. Foreword ix
4. Acknowledgments xv
5. Introduction. Exploring Screen Worlds 1
6. PART I. MOBILE SCREEN WORLDS AND THE TELEVISUAL TURN IN AFRICA
7. 1 We Need New Screens: MTV Shuga Naija, Youth Sexual Agency, and the “Mobile Screen” 19
8. 2 Maîtresse d’un homme marié: Retracing Womanhood in Senegalese Screen Worlds 35
9. 3 Netflix: The Enabling Disruptor in Nigeria 53
10. 4 Examining the “Opportunities”: M-Net’s Zambezi Magic Channel and the Emerging Zambian Film Industry 75
11. PART II. CRAFTING THE PRODUCTION AND CIRCULATION OF AFRICAN SCREEN WORLDS
12. 5 From Infrastructures to Treehouses: Circulations in Nollywood Distribution, Locations, and Craft 91
13. 6 Entrepreneurialism and Enterprise: Film Students Redefining Ghana’s Creative Landscape 113
14. 7 South Africa’s Female Only Filmmakers Project: From On-Screen to Calling the Shots 127
15. 8 Female Film Entrepreneurs in Ghana: Shirley Frimpong-Manso and Evelyn Asampana in Focus 139
16. PART III. ENGENDERING SCREEN REPRESENTATION, SPECTATORSHIP, AND CURATION
17. 9 Domestic Disturbance: Afro-Feminist Poetics in Dilman Dila’s Ugandan “Horror Romances” 153
18. 10 Fashioning African Screen Worlds: La noire de . . . and Les saignantes 167
19. 11 Nollywood Cinema and Its Housemaids’ Fandom: The Case of Eldoret, Kenya 185
20. 12 Archival Films in Contemporary Archives: Fragmented Legacies of a North African Women’s Film Heritage 201
21. PART IV. THEATRICAL SCREEN WORLDS: IN THE CHURCH, CINEMAS, VIDEO HALLS, AND HILLS
22. 13 Cinema in the Church: The Evangelical Film Worldview in Nigeria 217
23. 14 Tezeta in Motion: A Glimpse into a Performative Ethiopian Screen World 233
24. 15 Hillywood and Beyond: Forms of Spectatorship and Screen Worlds in Rwanda 245
25. 16 FESPACO @ Fifty: Forms, Formats, Platforms, and African Screen Media 257
26. PART V. TRANSNATIONAL SCREEN WORLDS: MUSIC VIDEO IN AFRICA, BEYOND, AND BACK
27. 17 Music Video and the Transnationalism of Nigerian Screen Media: Watching Falz’s “This is Nigeria” 269
28. 18 Rolling to “A-Free- Ka”: Seeing and Hearing the Transmedia Screen Worlds of Kahlil Joseph’s “Cheeba” 283
29. Afterword 1. The Political Worlds of African Screen Media 297
30. Afterword 2. Africa’s Contemporary Screen Media Era and Questions of Autonomy 301
31. Filmography 307
32. References 311
33. Contributors 337
34. Index 343