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Chapter
Open Access
‘‘Absently Enchanted’’
The Apocryphal, Ecstatic Cinema of Barbara Rubin
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Women’s Experimental Cinema 1
- Swing and Sway 20
- Different/Same/Both/Neither 45
- Excavating Visual Fields, Layering Auditory Frames 67
- Moving and Moving 89
- Eye/Body 103
- ‘‘Absently Enchanted’’ 127
- Amy Greenfield 152
- Barbara Hammer 167
- Chick Strand’s Experimental Ethnography 188
- Amnesis Time 211
- In the Ruins of the Image 239
- Sounds, Intervals, and Startling Images in the Films of Abigail Child 263
- Peggy’s Playhouse 290
- Su Friedrich 312
- The Experimental ‘‘Dunyementary’’ 339
- Conclusion: Women’s Experimental Cinema 360
- Film Distribution 383
- Bibliography 385
- Contributors 401
- Index 405
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Women’s Experimental Cinema 1
- Swing and Sway 20
- Different/Same/Both/Neither 45
- Excavating Visual Fields, Layering Auditory Frames 67
- Moving and Moving 89
- Eye/Body 103
- ‘‘Absently Enchanted’’ 127
- Amy Greenfield 152
- Barbara Hammer 167
- Chick Strand’s Experimental Ethnography 188
- Amnesis Time 211
- In the Ruins of the Image 239
- Sounds, Intervals, and Startling Images in the Films of Abigail Child 263
- Peggy’s Playhouse 290
- Su Friedrich 312
- The Experimental ‘‘Dunyementary’’ 339
- Conclusion: Women’s Experimental Cinema 360
- Film Distribution 383
- Bibliography 385
- Contributors 401
- Index 405