Chapters in this book

1. Frontmatter i
2. Contents vi
3. Illustrations viii
4. Note on Transliterations xi
5. Note on Accessing Performance Videos xiii
6. Acknowledgments xvii
7. Introduction 1
8. 1 Nationalism, Belonging, and the Performativity of Resistance 17
9. 2 Poets, Singers, and Songs: Voices in the Resistance Movement (1917–1967) 34
10. 3 Al-Naksa and the Emergence of Political Song (1967–1987) 78
11. 4 The First Intifada and the Generation of Stones (1987–2000) 116
12. 5 Revivals and New Arrivals: The al-Aqsa Intifada (2000–2010) 144
13. 6 “My Songs Can Reach the Whole Nation" Baladna and Protest Song in Jordan 163
14. 7 Imprisonment and Exile: Negotiating Power and Resistance in Palestinian Protest Song 199
15. 8 New Directions and New Modalities: Palestinian Hip-Hop in Israel 231
16. 9 “Carrying Words Like Weapons” DAM Brings Hip-Hop to the West Bank 262
17. Epilogue 283
18. Appendix: Song Lyric Transliterations 287
19. Notes 305
20. Bibliography 321
21. Index 331