Chapter
Publicly Available
Contents
-
Erica Moiah James
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: “Wat Wrong wit Dis Place?” 1
- 1. From Behind God’s Back: Janine Antoni’s Embodied Histories 37
- 2. Meeting in the Upper Room: Belkis Ayón’s La cena, 1988–1993 77
- 3. Historical Drag: Genre, Violence, and History in Edouard Duval-Carrié’s Mardigras at Fort Dimanche, 1992 121
- 4. The Caribbean Does Not Exist: Maurizio Cattelan’s 6th Caribbean Biennial, 1999 163
- Conclusion: “Wrong Way” Lenny, Tempests, and Other Détournements 205
- Notes 223
- Bibliography 259
- Index 281
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: “Wat Wrong wit Dis Place?” 1
- 1. From Behind God’s Back: Janine Antoni’s Embodied Histories 37
- 2. Meeting in the Upper Room: Belkis Ayón’s La cena, 1988–1993 77
- 3. Historical Drag: Genre, Violence, and History in Edouard Duval-Carrié’s Mardigras at Fort Dimanche, 1992 121
- 4. The Caribbean Does Not Exist: Maurizio Cattelan’s 6th Caribbean Biennial, 1999 163
- Conclusion: “Wrong Way” Lenny, Tempests, and Other Détournements 205
- Notes 223
- Bibliography 259
- Index 281