Introduction

Juanita Solano Roa

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Solano Roa, Juanita. "Introduction". Negative Originals: Race and Early Photography in Colombia, Duke University Press, 2025, pp. 1-44. https://doi.org/10.1515/9781478060963-002

Solano Roa, J. (2025). Introduction. In Negative Originals: Race and Early Photography in Colombia (pp. 1-44). Duke University Press. https://doi.org/10.1515/9781478060963-002

Solano Roa, J. 2025. Introduction. Negative Originals: Race and Early Photography in Colombia. Duke University Press, pp. 1-44. https://doi.org/10.1515/9781478060963-002

Solano Roa, Juanita. "Introduction" In Negative Originals: Race and Early Photography in Colombia, 1-44. Duke University Press, 2025. https://doi.org/10.1515/9781478060963-002

Solano Roa J. Introduction. In: Negative Originals: Race and Early Photography in Colombia. Duke University Press; 2025. p.1-44. https://doi.org/10.1515/9781478060963-002

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Chapters in this book

Frontmatter i
Contents vii
ACKNOWLEDGMENTS ix
Introduction 1
CHAPTER ONE. Envisioning a New Race: Photographic Manipulation and the Discourse of la raza antioqueña 45
CHAPTER TWO. The Pictorial Negative: The Work of Horacio Marino and Melitón Rodríguez 89
CHAPTER THREE. The Negative in Suspense: Deviant Subjects and Bodies in the Work of Benjamín de la Calle 136
CHAPTER FOUR. Orientalism in the Andes: Itinerant Images and Distant Negatives 176
CHAPTER FIVE. Negative Spaces: The Backdrops in Benjamín de la Calle’s and Fotografía Rodríguez’s Photographs 211
NOTES 251
BIBLIOGRAPHY 279
INDEX 297

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https://doi.org/10.1515/9781478060963-002

Chapters in this book

Frontmatter i
Contents vii
ACKNOWLEDGMENTS ix
Introduction 1
CHAPTER ONE. Envisioning a New Race: Photographic Manipulation and the Discourse of la raza antioqueña 45
CHAPTER TWO. The Pictorial Negative: The Work of Horacio Marino and Melitón Rodríguez 89
CHAPTER THREE. The Negative in Suspense: Deviant Subjects and Bodies in the Work of Benjamín de la Calle 136
CHAPTER FOUR. Orientalism in the Andes: Itinerant Images and Distant Negatives 176
CHAPTER FIVE. Negative Spaces: The Backdrops in Benjamín de la Calle’s and Fotografía Rodríguez’s Photographs 211
NOTES 251
BIBLIOGRAPHY 279
INDEX 297

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Introduction

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