This publication is presented to you through Paradigm Publishing Services

Duke University Press

Home Duke University Press Twenty-Three. “I Put a Spell on You and Now You’re Mine”: A Vulvacentric Reading of Witchcraft
Chapter
Licensed
Unlicensed Requires Authentication

Twenty-Three. “I Put a Spell on You and Now You’re Mine”: A Vulvacentric Reading of Witchcraft

© 2025 Duke University Press, Durham, USA

© 2025 Duke University Press, Durham, USA

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments xi
  4. Introduction: Manifesting Witch Studies 1
  5. The Colonial Encounter
  6. One. Witchcraft in My Community: Healing Sex and Sexuality 23
  7. Two. “What Is a Witch?”: Tituba’s Subjunctive Challenge 34
  8. Three. Irish Feminist Witches: Using Witchcraft and Activism to Heal from Violence and Trauma 46
  9. Four. Whose Craft?: Contentions on Open and Closed Practice in Contemporary Witchcraft(s) 60
  10. II Lineages of Healing
  11. Five. “You Deserve, Baby!”: Spiritual Co-creation, Black Witches, and Feminism 75
  12. Six. Resurrecting Granny: A Brief Excavation of Appalachian Folk Magic 90
  13. Seven. “Some Decks May Be Stacked against Us but This Deck Is Ours”: Justice-Centered Tarot in and against the New Age 105
  14. Eight. Ecstatic Desires: Queerness and the Witch’s Body 118
  15. Nine. Deitsch Magic Past and Future 131
  16. Ten. “We Are Here with Our Rebellious Joy”: Witches and Witchcraft in Turkey 144
  17. Eleven. Fortune-Telling, Women’s Friendship, and Divination Commodification in Contemporary Italy 158
  18. III Killing the Witch
  19. Twelve. A Feminist Theory of Witch Hunts 175
  20. Thirteen. Occult Violence and the Savage Slot: Understanding Tanzanian Witch-Killings in Historical and Ethnographic Context 190
  21. Fourteen. Going All the Way: From Village to Supreme Court for a Witch-Killing in Central India 205
  22. Fifteen. Contemporary Trends in Witch-Hunting in India 219
  23. Sixteen. Bewitching Gender History 233
  24. IV Art, Aesthetics, and Cultural Production
  25. Seventeen. Mista Boo: Portrait of a Drag Witch 249
  26. Eighteen. Witching Sound in the Anthropocene (and Occultcene) 262
  27. Nineteen. A Witch’s Guide to the Underground: Sixties Counterculture, Dianic Wicca, and the Cultural Trope of the “Witchy Diva” 275
  28. Twenty. A Queer Critical Analysis of Contemporary Representations of the Churail in Hindi Film 289
  29. Twenty-One. Pakistan’s Churails: Young Feminists Choosing “Witch” Way Is Forward 304
  30. Twenty-Two. From “Born This Witch” to “Bad Bitch Witch”: A History of Witch Representation in Western Pop Culture 318
  31. Twenty-Three. “I Put a Spell on You and Now You’re Mine”: A Vulvacentric Reading of Witchcraft 331
  32. V Protest and Reclaiming
  33. Twenty-Four. Hexing the Patriarchy: The Revolutionary Aesthetics of W.I.T.C.H. 347
  34. Twenty-Five. Witch-Ins and Other Feminist Acts 361
  35. Twenty-Six. Disappearing Acts: Attending “Witch School” in Brooklyn, New York 372
  36. Twenty-Seven. We Are All Witches: My Pagan Journey 388
  37. VI Witch Epistemologies
  38. Twenty-Eight. Witching the Institution: Academia and Feminist Witchcraft 401
  39. Twenty-Nine. A Ruderal Witchcraft Manifesto 420
  40. Thirty. Feminism as a Demon, or, The Difference Witches Make: Chiara Fumai with Carla Lonzi 436
  41. Thirty-One. Religion and Magic through Feminist Lenses 449
  42. Thirty-Two. Crafting against Capitalism: Queer Longings for Witch Futures 464
  43. Contributors 475
  44. Index 489
The Witch Studies Reader
This chapter is in the book The Witch Studies Reader
Downloaded on 21.3.2026 from https://www.degruyterbrill.com/document/doi/10.1515/9781478060369-025/html
Scroll to top button