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2 “The next best thing to being there” Tapes, Taping, and an Alternative Aesthetic of Recorded Liveness
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Chapters in this book
- Frontmatter i
- Contents ix
- Illustrations xi
- Acknowledgments xiii
- Introduction: becoming live 1
- 1 “To capture that special feeling” Recorded (and Recording) Liveness (The Warner Bros. Years, 1966–1973) 31
- 2 “The next best thing to being there” Tapes, Taping, and an Alternative Aesthetic of Recorded Liveness 61
- 3 A time of reckoning New Approaches to Producing and Marketing Liveness (The 1980s, Part 1) 85
- 4 “That quintessential spirit of the band” “Touch of Grey,” the “Betty Boards,” and the Rebirth of the Dead (The 1980s, Part 2) 105
- 5 “The live feel of a tape” From the Vault, Dick’s Picks, and the Language(s) of Liveness 125
- 6 Post-dead “Obstinately Physical,” “Vaporous Cargo,” and the Material Remains of Liveness 152
- Conclusion: memento mori 169
- Notes 177
- Bibliography 201
- Index 211
Chapters in this book
- Frontmatter i
- Contents ix
- Illustrations xi
- Acknowledgments xiii
- Introduction: becoming live 1
- 1 “To capture that special feeling” Recorded (and Recording) Liveness (The Warner Bros. Years, 1966–1973) 31
- 2 “The next best thing to being there” Tapes, Taping, and an Alternative Aesthetic of Recorded Liveness 61
- 3 A time of reckoning New Approaches to Producing and Marketing Liveness (The 1980s, Part 1) 85
- 4 “That quintessential spirit of the band” “Touch of Grey,” the “Betty Boards,” and the Rebirth of the Dead (The 1980s, Part 2) 105
- 5 “The live feel of a tape” From the Vault, Dick’s Picks, and the Language(s) of Liveness 125
- 6 Post-dead “Obstinately Physical,” “Vaporous Cargo,” and the Material Remains of Liveness 152
- Conclusion: memento mori 169
- Notes 177
- Bibliography 201
- Index 211