Edinburgh University Press
Refusing to Behave in Early Modern Literature
About this book
Refusing to Behave in Early Modern Literature explores texts shaped by collisions between the idiosyncrasies of individual bodyminds and the values of small communities such as religion, sect, social milieu, congregation and family. The book encompasses the period from the late sixteenth century to the early eighteenth century, examining early modern shrew and devil plays, picaresque and rogue literature, and Quaker life-writing. Refusing to Behave examines the ways in which Thomas Dekker, Thomas Ellwood, Mateo Alemán and his translator James Mabbe, and the anonymous author of Grim the Collier of Croydon use textual tricks to provoke bodily responses in readers, and also draw on readers’ bodily experiences to enrich their textual descriptions. This study broadens the scope of current understandings of early modern literature by identifying and analysing the significance of genre to representations of resistance to behavioural norms.
Topics
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Frontmatter
i -
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Contents
v -
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Acknowledgements
vi -
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Series Editor’s Preface
viii -
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Introduction: The Body at Play in Early Modern Texts
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1. Ungracious Grace: Proprioception and Staging Taste in Thomas Dekker’s If This Be Not a Good Play, the Devil Is in It (1611)
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2. Walking Without God – (Mis)Learning Through the Gait in Mateo Alemán’s Guzmán de Alfarache (1599 and 1604) and James Mabbe’s The Rogue (1622)
36 -
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3. Plain Plasticity – Thomas Ellwood’s The History of the Life of Thomas Ellwood (1714)
58 -
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4. Chaste and Silent – Again. Vitality and the Bound and Loosed Body in I.T.’s Grim the Collier of Croydon; or, The Devil and His Dame (c. 1600)
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Index
109