Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. FIGURES vii
4. ACKNOWLEDGEMENTS ix
5. Notes on Contributors xi
6. INTRODUCTION 1
7. 1 LOVING/HATING/LOVING LESBIAN MODERNISM 31
8. 2 LESBIAN-TRANS-FEMINIST MODERNISM: CHRISTOPHER ST. JOHN, TRANS MASCULINITY AND CELIBATE FRIENDSHIP IN HUNGERHEART: THE STORY OF A SOUL 56
9. 3 THE ONTOLOGY OF THE PLURISINGULAR BODY IN NATALIE CLIFFORD BARNEY’S THE ONE WHO IS LEGION OR A.D.’S AFTER-LIFE 78
10. PART II GENRES AND FORMS
11. 4 IMAGINATIVE BIOGRAPHY: MARGARET GOLDSMITH, VITA SACKVILLE-WEST AND LESBIAN HISTORICAL LIFE WRITING 99
12. 5 MODERNISM AT THE MARGINS: MARIETTE LYDIS’S PRINT PORTFOLIO LESBIENNES 120
13. 6 INVERTING THE GAZE: RADCLYFFE HALL AND MALE SEXUAL IDENTITIES 145
14. PART III RELATIONALITY, NETWORKS AND KINSHIP
15. 7 WRITING WIDOWS OF LESBIAN MODERNISM 165
16. 8 LESBIANISM IN/AND THE FAMILY: EVA GORE-BOOTH AND THE MAKING OF FEMINIST MODERNISM 183
17. 9 LESBIAN JOYCE 204
18. PART IV HISTORIES AND TEMPORALITIES
19. 10 ELIZABETHAN LOVEMAKING: COLLEGE ROMANCE AND QUEER ANACHRONISM IN EDNA ST. VINCENT MILLAY’S THE LAMP AND THE BELL 225
20. 11 THE LESBIAN HERSTORY ARCHIVES AT FIFTY 248
21. 12 HIDDEN IN PLAIN SIGHT: THE RECONSTRUCTION OF LESBIAN MODERNIST SEXUAL HISTORIES 265
22. Index 285