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Mary Ainslie
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Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgements and Author Note vi
- Traditions in World Cinema vii
- Introduction 1
- 1. Post-war Thai Cinema: Audiences and Film Style in a Divided Nation 15
- 2. After the 16mm Era: Horror and Progressive Social Critique 44
- 3. New Thai Cinema and Nang Nak: Heritage Horror and Economic Crisis 64
- 4. Thai Horror and the ‘Other’: Zee Oui and Ghost Game 88
- 5. The Monstrous Thai Feminine: Shutter and the ‘Vengeful Ghosts’ 110
- 6. Horror Beyond the Screen: Victim, The Screen at Kamchanod and Coming Soon 125
- 7. Village Horror: Continuing a Provincial Film Style 137
- 8. Middle-class Horror and Urban Modernity: The Promise 149
- 9. Regional and International Success in the Digital Age: Folk Horror and a Southeast Asian Model 167
- Conclusion 190
- Bibliography 194
- Index 205
Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgements and Author Note vi
- Traditions in World Cinema vii
- Introduction 1
- 1. Post-war Thai Cinema: Audiences and Film Style in a Divided Nation 15
- 2. After the 16mm Era: Horror and Progressive Social Critique 44
- 3. New Thai Cinema and Nang Nak: Heritage Horror and Economic Crisis 64
- 4. Thai Horror and the ‘Other’: Zee Oui and Ghost Game 88
- 5. The Monstrous Thai Feminine: Shutter and the ‘Vengeful Ghosts’ 110
- 6. Horror Beyond the Screen: Victim, The Screen at Kamchanod and Coming Soon 125
- 7. Village Horror: Continuing a Provincial Film Style 137
- 8. Middle-class Horror and Urban Modernity: The Promise 149
- 9. Regional and International Success in the Digital Age: Folk Horror and a Southeast Asian Model 167
- Conclusion 190
- Bibliography 194
- Index 205