Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Figures vii
4. Notes on Contributors ix
5. Acknowledgements xi
6. Introduction: In the Beginning Was the Word 1
7. Part I. The Politics of Form
8. 1. Queer Tyranny and Intertextuality in Gouttes d’eau sur pierres brûlantes: François Ozon Pays Homage to Master Fassbinder 13
9. 2. François Ozon’s Sitcom and Politics of Form 35
10. 3. Queering the Trenches: Homoerotic Overtones in Frantz 52
11. 4. The Crystal-image and Queer Ambiguity in Sous le sable 72
12. 5. French Ozon/Global Ozon: French Specificity and Globalisation in Jeune & jolie 87
13. Part II. (In)Formal Politics
14. 6. ‘The Scent of a Middle-class Woman’: Desire, Family and the Adolescent Imagination in François Ozon’s Dans la maison 107
15. 7. Bringing Up Baby in the Twenty-first Century: Le Refuge and the Ozonian Family 125
16. 8. Transing Dynamics: Ozon’s Une Nouvelle amie 143
17. 9. Sex Wars in Potiche: Womanhood Then and Now 162
18. 10. Female Creativity, Selfishness and Monstrosity in François Ozon’s Angel 181
19. 11. From Faits Divers to Grandes Affaires: Giving Voice to Sexual Abuse Survivors in Grâce à Dieu 195
20. Filmography 212
21. Index 214