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10. PERFORMING DYLAN: THE MANY LIVES OF BOB DYLAN IN I’M NOT THERE

  • Magdalena Fürnkranz
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Mapping the Rockumentary
This chapter is in the book Mapping the Rockumentary
© 2022, Edinburgh University Press, Edinburgh

© 2022, Edinburgh University Press, Edinburgh

Chapters in this book

  1. Frontmatter i
  2. CONTENTS v
  3. FIGURES viii
  4. CONTRIBUTORS x
  5. TRADITIONS IN WORLD CINEMA xviii
  6. INTRODUCTION: IMAGES OF SOUND AND FURY 1
  7. PART I HISTORIES
  8. 1. MUSIC MAKERS OF THE BLUE RIDGE (AKA ‘BLUEGRASS ROOTS,’ DAVID HOFFMAN, USA, 1966) 19
  9. 2. “I DON’T MAKE CULTURE, I SELL IT!”: THE EARLY HISTORY OF MUSIC DOCUMENTATION, 1920S–1970S 24
  10. 3. MONTEREY POP AND THE MATURATION OF THE CONCERT FILM 37
  11. 4. THE SOUND OF ROCKUMENTARY: A CONSIDERATION OF THE DOCUMENTARY SOUNDTRACK 50
  12. 5. FALSE ENDINGS 64
  13. PART II GENDER
  14. 6. “START ME UP”: THE PLACE AND DISPLACEMENT OF WOMEN IN THE CINEMA OF THE ROLLING STONES 83
  15. 7. MADONNA ON FILM: GEOPOLITICS, GLOBALIZATION, AND GENDER POLITICS 97
  16. 8. THE FREEDOM TO SPEAK: THE DIXIE CHICKS, OBSERVATIONAL DOCUMENTARY, AND SHUT UP & SING 113
  17. 9. ROCK ‘N’ ROLL FAMILY ROMANCES: THE ROCKUMENTARY AS MALE MELODRAMA 125
  18. 10. PERFORMING DYLAN: THE MANY LIVES OF BOB DYLAN IN I’M NOT THERE 140
  19. PART III AESTHETICS AND POLITICS
  20. 11. U2’S RATTLE AND HUM: GOD, SEX, ROCK ‘N’ ROLL AND GOD AGAIN 155
  21. 12. PUNK CITY SYMPHONY: THE CLASH AND RUDE BOY 173
  22. 13. LISTENING FROM THE EMPTY BOOTH: PERFORMING THE GRATEFUL DEAD COMMUNITY IN LONG STRANGE TRIP 185
  23. 14. MINIMUM AND MAXIMUM ROCK ‘N’ ROLL: NICK CAVE AND THE BAD SEEDS AND ROCKUMENTARY FORM 198
  24. 15. “EVERYTHING WAS STORIES”: THE AESTHETIC IMAGINARIES OF SEARCHING FOR THE WRONG-EYED JESUS 212
  25. PART IV COUNTER-CULTURES
  26. 16. CHILE: THE ROCK OF POLITICAL CULTURE AND THE HARD PLACE OF CULTURAL POLICY 223
  27. 17. PSYCHEDELIA AND REBELLIOUSNESS IN TIMES OF DICTATORSHIP: ARGENTINIAN ROCKUMENTARIES (1973–1983) 239
  28. 18. HARMONIUM IN CALIFORNIA: MUSICALLY IMAGINED COMMUNITIES AND THE ROCKUMENTARY FORM 250
  29. 19. STATIONS OF THE CRASS: COUNTER-CULTURE AND THE ANARCHO-PUNK MOVEMENT 263
  30. 20. CARS AND GUITARS, OR, DETROIT AND THE MC5: ON REPRESENTATIONS OF MUSIC AND PLACE IN MC5: A TRUE TESTIMONIAL 276
  31. PART V FUTURES
  32. 21. UNKNOWABLE DOGS 289
  33. 22. “THIS IS A F**KING BUSINESS”: THE CONCERT SHOW AND TOUR IN 1970S HOLLYWOOD FICTION FILMS 303
  34. 23. LIVE FROM THE MULTIPLEX: THE CONCERT FILM AS EVENT CINEMA SINCE THE 2000S 314
  35. 24. DOCUMENTING DEITIES: TOUCH AND K-POP FANDOM ON YOUTUBE 330
  36. 25. RITUAL IN TRANSFIGURED TIME 344
  37. INDEX 349
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