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10. PERFORMING DYLAN: THE MANY LIVES OF BOB DYLAN IN I’M NOT THERE
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Magdalena Fürnkranz
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Chapters in this book
- Frontmatter i
- CONTENTS v
- FIGURES viii
- CONTRIBUTORS x
- TRADITIONS IN WORLD CINEMA xviii
- INTRODUCTION: IMAGES OF SOUND AND FURY 1
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PART I HISTORIES
- 1. MUSIC MAKERS OF THE BLUE RIDGE (AKA ‘BLUEGRASS ROOTS,’ DAVID HOFFMAN, USA, 1966) 19
- 2. “I DON’T MAKE CULTURE, I SELL IT!”: THE EARLY HISTORY OF MUSIC DOCUMENTATION, 1920S–1970S 24
- 3. MONTEREY POP AND THE MATURATION OF THE CONCERT FILM 37
- 4. THE SOUND OF ROCKUMENTARY: A CONSIDERATION OF THE DOCUMENTARY SOUNDTRACK 50
- 5. FALSE ENDINGS 64
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PART II GENDER
- 6. “START ME UP”: THE PLACE AND DISPLACEMENT OF WOMEN IN THE CINEMA OF THE ROLLING STONES 83
- 7. MADONNA ON FILM: GEOPOLITICS, GLOBALIZATION, AND GENDER POLITICS 97
- 8. THE FREEDOM TO SPEAK: THE DIXIE CHICKS, OBSERVATIONAL DOCUMENTARY, AND SHUT UP & SING 113
- 9. ROCK ‘N’ ROLL FAMILY ROMANCES: THE ROCKUMENTARY AS MALE MELODRAMA 125
- 10. PERFORMING DYLAN: THE MANY LIVES OF BOB DYLAN IN I’M NOT THERE 140
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PART III AESTHETICS AND POLITICS
- 11. U2’S RATTLE AND HUM: GOD, SEX, ROCK ‘N’ ROLL AND GOD AGAIN 155
- 12. PUNK CITY SYMPHONY: THE CLASH AND RUDE BOY 173
- 13. LISTENING FROM THE EMPTY BOOTH: PERFORMING THE GRATEFUL DEAD COMMUNITY IN LONG STRANGE TRIP 185
- 14. MINIMUM AND MAXIMUM ROCK ‘N’ ROLL: NICK CAVE AND THE BAD SEEDS AND ROCKUMENTARY FORM 198
- 15. “EVERYTHING WAS STORIES”: THE AESTHETIC IMAGINARIES OF SEARCHING FOR THE WRONG-EYED JESUS 212
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PART IV COUNTER-CULTURES
- 16. CHILE: THE ROCK OF POLITICAL CULTURE AND THE HARD PLACE OF CULTURAL POLICY 223
- 17. PSYCHEDELIA AND REBELLIOUSNESS IN TIMES OF DICTATORSHIP: ARGENTINIAN ROCKUMENTARIES (1973–1983) 239
- 18. HARMONIUM IN CALIFORNIA: MUSICALLY IMAGINED COMMUNITIES AND THE ROCKUMENTARY FORM 250
- 19. STATIONS OF THE CRASS: COUNTER-CULTURE AND THE ANARCHO-PUNK MOVEMENT 263
- 20. CARS AND GUITARS, OR, DETROIT AND THE MC5: ON REPRESENTATIONS OF MUSIC AND PLACE IN MC5: A TRUE TESTIMONIAL 276
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PART V FUTURES
- 21. UNKNOWABLE DOGS 289
- 22. “THIS IS A F**KING BUSINESS”: THE CONCERT SHOW AND TOUR IN 1970S HOLLYWOOD FICTION FILMS 303
- 23. LIVE FROM THE MULTIPLEX: THE CONCERT FILM AS EVENT CINEMA SINCE THE 2000S 314
- 24. DOCUMENTING DEITIES: TOUCH AND K-POP FANDOM ON YOUTUBE 330
- 25. RITUAL IN TRANSFIGURED TIME 344
- INDEX 349
Chapters in this book
- Frontmatter i
- CONTENTS v
- FIGURES viii
- CONTRIBUTORS x
- TRADITIONS IN WORLD CINEMA xviii
- INTRODUCTION: IMAGES OF SOUND AND FURY 1
-
PART I HISTORIES
- 1. MUSIC MAKERS OF THE BLUE RIDGE (AKA ‘BLUEGRASS ROOTS,’ DAVID HOFFMAN, USA, 1966) 19
- 2. “I DON’T MAKE CULTURE, I SELL IT!”: THE EARLY HISTORY OF MUSIC DOCUMENTATION, 1920S–1970S 24
- 3. MONTEREY POP AND THE MATURATION OF THE CONCERT FILM 37
- 4. THE SOUND OF ROCKUMENTARY: A CONSIDERATION OF THE DOCUMENTARY SOUNDTRACK 50
- 5. FALSE ENDINGS 64
-
PART II GENDER
- 6. “START ME UP”: THE PLACE AND DISPLACEMENT OF WOMEN IN THE CINEMA OF THE ROLLING STONES 83
- 7. MADONNA ON FILM: GEOPOLITICS, GLOBALIZATION, AND GENDER POLITICS 97
- 8. THE FREEDOM TO SPEAK: THE DIXIE CHICKS, OBSERVATIONAL DOCUMENTARY, AND SHUT UP & SING 113
- 9. ROCK ‘N’ ROLL FAMILY ROMANCES: THE ROCKUMENTARY AS MALE MELODRAMA 125
- 10. PERFORMING DYLAN: THE MANY LIVES OF BOB DYLAN IN I’M NOT THERE 140
-
PART III AESTHETICS AND POLITICS
- 11. U2’S RATTLE AND HUM: GOD, SEX, ROCK ‘N’ ROLL AND GOD AGAIN 155
- 12. PUNK CITY SYMPHONY: THE CLASH AND RUDE BOY 173
- 13. LISTENING FROM THE EMPTY BOOTH: PERFORMING THE GRATEFUL DEAD COMMUNITY IN LONG STRANGE TRIP 185
- 14. MINIMUM AND MAXIMUM ROCK ‘N’ ROLL: NICK CAVE AND THE BAD SEEDS AND ROCKUMENTARY FORM 198
- 15. “EVERYTHING WAS STORIES”: THE AESTHETIC IMAGINARIES OF SEARCHING FOR THE WRONG-EYED JESUS 212
-
PART IV COUNTER-CULTURES
- 16. CHILE: THE ROCK OF POLITICAL CULTURE AND THE HARD PLACE OF CULTURAL POLICY 223
- 17. PSYCHEDELIA AND REBELLIOUSNESS IN TIMES OF DICTATORSHIP: ARGENTINIAN ROCKUMENTARIES (1973–1983) 239
- 18. HARMONIUM IN CALIFORNIA: MUSICALLY IMAGINED COMMUNITIES AND THE ROCKUMENTARY FORM 250
- 19. STATIONS OF THE CRASS: COUNTER-CULTURE AND THE ANARCHO-PUNK MOVEMENT 263
- 20. CARS AND GUITARS, OR, DETROIT AND THE MC5: ON REPRESENTATIONS OF MUSIC AND PLACE IN MC5: A TRUE TESTIMONIAL 276
-
PART V FUTURES
- 21. UNKNOWABLE DOGS 289
- 22. “THIS IS A F**KING BUSINESS”: THE CONCERT SHOW AND TOUR IN 1970S HOLLYWOOD FICTION FILMS 303
- 23. LIVE FROM THE MULTIPLEX: THE CONCERT FILM AS EVENT CINEMA SINCE THE 2000S 314
- 24. DOCUMENTING DEITIES: TOUCH AND K-POP FANDOM ON YOUTUBE 330
- 25. RITUAL IN TRANSFIGURED TIME 344
- INDEX 349