Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS iii
3. FIGURES v
4. NOTES ON CONTRIBUTORS vi
5. INTRODUCTION 1
6. PART ONE. AESTHETICS
7. 1. REPAIR AND THE IRREPARABLE IN CONTEMPORARY ABORIGINAL ART 13
8. 2. CIRCULATING BODIES: RETELLING THE TRAUMA OF THE ALGERIAN WAR THROUGH PHOTOGRAPHY AND ART 36
9. 3. AN i FOR AN EYE: THE COLLECTIVE SHAPING OF EXPERIENCE IN THE AGE OF MACHINE-MEDIATED ART 58
10. PART TWO. ETHICS
11. 4. THE ETHICS OF FILMMAKING: HOW THE GENETIC HISTORY OF WORKS AFFECTS THEIR VALUE 77
12. 5. THE LOOK OF SILENCE AND THE ETHICS OF ATONEMENT 104
13. 6. TRUTH, PERFORMANCE AND THE CLOSE-UP: PARADOXICAL CANDOUR IN ERROL MORRIS’S ‘INTERROTRON’ INTERVIEWS 124
14. 7. MINDHUNTER: THE POSSIBILITY OF KNOWING EVIL 146
15. PART THREE POLITICS
16. 8. INTERACTIVE DOCUMENTARY, NARRATIVE SCEPTICISM AND THE VALUES OF DOCUMENTARY FILM 165
17. 9. WON’T SOMEBODY PLEASE THINK OF THE CHILDREN! ON THE MORALISATION OF VIDEO GAME VIOLENCE 189
18. 10. RE-READING PERSONAL INFLUENCE IN AN AGE OF SOCIAL MEDIA 209
19. 11. PRINCIPLES OF EXCHANGE: FREE SPEECH IN THE ERA OF FAKE NEWS 229
20. INDEX 249