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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgements vi
- Illustrations viii
- Introduction 1
- 1 Camp Poetics and Holocaust Icons in the Poetry of Sylvia Plath 28
- 2 'Beauty ... remains "a brief gasp between one cliche and another'": Awkward Poetics in Geoffrey Hill's The Triumph of Love 62
- 3 'There's something for everyone in a myth': Auschwitz-Birkenau and the Classics in Tony Harrison's Prometheus 100
- 4 Ted Hughes, Peephole Metaphysics and the Poetics of Extremity 142
- Conclusion 174
- Bibliography 179
- Index 187
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgements vi
- Illustrations viii
- Introduction 1
- 1 Camp Poetics and Holocaust Icons in the Poetry of Sylvia Plath 28
- 2 'Beauty ... remains "a brief gasp between one cliche and another'": Awkward Poetics in Geoffrey Hill's The Triumph of Love 62
- 3 'There's something for everyone in a myth': Auschwitz-Birkenau and the Classics in Tony Harrison's Prometheus 100
- 4 Ted Hughes, Peephole Metaphysics and the Poetics of Extremity 142
- Conclusion 174
- Bibliography 179
- Index 187