Edinburgh University Press
The Truth in Photography
About this book
From the very invention of photography in the early part of the nineteenth century right up through the most recent developments in photography through digital technology, theorists have never stopped asking whether there is in fact any truth at all in photography. The essays collected in this volume consider this and related questions (for example, the relationship between photography and representation, history, time, narrative, memory, mourning, and so on) through the works of Walter Benjamin, Hélène Cixous, and Jacques Derrida, among others. The volume opens with a previously untranslated essay by Derrida on photography, entitled, precisely, Aletheia (Truth), and it concludes with ‘Melville’s Couvade’, an original work of fiction on the theme of photography by David Farrell Krell.
Topics
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Frontmatter
i -
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Contents
iii - The Truth in Photography
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Snapshot
v - Articles
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Aletheia
169 -
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What, in truth, is Photography? Notes after Kracauer
189 -
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Primal Phenomena and Photography
203 -
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Dark Room Readings: Scenes of Maternal Photography
231 - Fiction
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Melville’s Couvade
271 - Book Reviews
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Michael Syrotinski, Deconstruction and the Postcolonial
291 -
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Judeities, ed. Bettina Bergo, Joseph Cohen, Raphael Zagury-Orly
293 -
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Asja Szafraniec, Beckett, Derrida, and the Event of Literature
300 -
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Contributors
303