Kapitel in diesem Buch

1. Frontmatter i
2. Contents iii
3. List of Figures v
4. Notes on the Contributors vi
5. Acknowledgments viii
6. Introduction 1
7. Contributors 1
8. Intellectual Environments
9. Surveying James Benning 15
10. Utah and the Times: Governing Temporality in Deseret 39
11. Violence and Landscape in the Films of James Benning 55
12. Material Environments
13. Constructing the Transversal Time-image: Ecosophy, Immanence, and Corporate “Land” in James Benning’s Four Corners and California Trilogy 75
14. Men in Huts in Woods: Independence, Transcendentalism, and Technology in James Benning’s Thoreau and Kaczynski Documentaries and Exhibition 94
15. The Earth as Material Film: Benning’s Light Glance Making a Material-Image 114
16. Perceptual Environments
17. A Lake-Event 129
18. Defacing the Close-Up 143
19. The Adventure of Patience 160
20. Filmography 177
21. Index 180