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11. Teaching Practice as Theory: Guerrilla Filmmaking
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Kapitel in diesem Buch
- Frontmatter i
- CONTENTS iii
- List of Figures vi
- Notes on Contributors viii
- Acknowledgements xiv
- Preface: Life in the Post Pandemic Age xvi
- 1. Introduction: Complexities, Compromises and Complicities 1
- 2. Against the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory 19
- 3. Married to the Eiffel Tower: Notes on Love, Loss and Knowledge 34
- 4. Creativity and Neoliberalism: Between Autonomy, Resistance and Tactical Compliance 46
- 5. Tactical Compliance and the Persistence of Elsaesser 70
- 6. Storytelling and Game Playing 81
- 7. Autonomy and the Other Woman: Queer Active Agency and Postcolonial Expectations 94
- 8. From Neolithic to Neoliberal 107
- 9. First-person Expression on ‘Non-Western’ Screens: China as a Case Study 119
- 10. Scholarly Exploration of the Creative Process: Integrating Film Theory and Practice 133
- 11. Teaching Practice as Theory: Guerrilla Filmmaking 150
- 12. Baits of Falsehood: The Role of Fiction in Documentary or From Untheorised Practice to Unpractised Theory 164
- 13. Repented: A Creative Intersemiotic Translation 183
- Notes on Repented 197
- 14. How do you see me? The Camera as Transitional Object in Diasporic, Domestic Ethnography 200
- 15. ‘Shut Your Hole, Girlie. Mine’s Making Money, Doll’: Creative Practice-Research and the Problem of Professionalism 221
- 16. Feminist ‘Pensive-creative Praxis’ and Irigaray: A Porous, Dialogical Encounter 242
- 17. The Paths of Creation, or How Can I Help my Dybbouk to Get Out of Me? 258
- 18. ‘We Want to Kill Boko Haram’: Reflections on the Photographic Representation of Children in a Displacement Camp 271
- 19. Between ‘Counter-movement’ (Ingold) and ‘Living with Ghosts’ (Demos) 288
- 20. Screen Memories: A Video Essay on Smultronstället/Wild Strawberries 304
- Index 316
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS iii
- List of Figures vi
- Notes on Contributors viii
- Acknowledgements xiv
- Preface: Life in the Post Pandemic Age xvi
- 1. Introduction: Complexities, Compromises and Complicities 1
- 2. Against the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory 19
- 3. Married to the Eiffel Tower: Notes on Love, Loss and Knowledge 34
- 4. Creativity and Neoliberalism: Between Autonomy, Resistance and Tactical Compliance 46
- 5. Tactical Compliance and the Persistence of Elsaesser 70
- 6. Storytelling and Game Playing 81
- 7. Autonomy and the Other Woman: Queer Active Agency and Postcolonial Expectations 94
- 8. From Neolithic to Neoliberal 107
- 9. First-person Expression on ‘Non-Western’ Screens: China as a Case Study 119
- 10. Scholarly Exploration of the Creative Process: Integrating Film Theory and Practice 133
- 11. Teaching Practice as Theory: Guerrilla Filmmaking 150
- 12. Baits of Falsehood: The Role of Fiction in Documentary or From Untheorised Practice to Unpractised Theory 164
- 13. Repented: A Creative Intersemiotic Translation 183
- Notes on Repented 197
- 14. How do you see me? The Camera as Transitional Object in Diasporic, Domestic Ethnography 200
- 15. ‘Shut Your Hole, Girlie. Mine’s Making Money, Doll’: Creative Practice-Research and the Problem of Professionalism 221
- 16. Feminist ‘Pensive-creative Praxis’ and Irigaray: A Porous, Dialogical Encounter 242
- 17. The Paths of Creation, or How Can I Help my Dybbouk to Get Out of Me? 258
- 18. ‘We Want to Kill Boko Haram’: Reflections on the Photographic Representation of Children in a Displacement Camp 271
- 19. Between ‘Counter-movement’ (Ingold) and ‘Living with Ghosts’ (Demos) 288
- 20. Screen Memories: A Video Essay on Smultronstället/Wild Strawberries 304
- Index 316
