Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. List of Figures vi
4. Acknowledgements viii
5. Introduction 1
6. 1 Cinema’s ‘Primitive Beauty’: Pedro Costa’s Artistic Formation and the Making of Blood (1989) 12
7. 2 Negotiating Filmmaking: Adaptation, Location and Docufiction 32
8. 3 Digital Filmmaking at the Interstices 53
9. 4 Critical Reception and the International Film Festival 69
10. 5 Between the Black Box and the White Cube 90
11. 6 Renegotiating Circulation: Retrospectives and DVD Releases 110
12. 7 A ‘Document of Documents’: Authorship, Intertextuality and Politics in Horse Money (2014) 128
13. Conclusion 148
14. Filmography 152
15. Bibliography 154
16. Index 165