Greek Cinema and Migration, 1991-2016
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Philip E. Phillis
About this book
Discusses issues of immigration and identity within contemporary Greek cinema (1991-2016)
- Focuses on representations of immigrants and refugees in contemporary Greek cinema
- Provides an in-depth understanding of Greek cinema from the early 1990s and its direct correlation to foreign migration and the country’s ongoing struggles to implement European modernity
- Brings Greek cinema to the forefront of Anglophone Film and Cultural Studies, responding to growing needs to investigate the cinema of small nations and to provide a holistic study of European cinema
- A wide selection of case studies covering the period from 1991 to 2016 illustrate the growing fascination of Greek filmmakers with the plight of immigrants and refugees in Greece and the shifting ideological and cultural zeitgeist
Greek Cinema and Migration provides a response to urgent calls to comprehend the cultural impact of immigration in Greece, and to determine the capacity of contemporary Greek cinema to challenge the logic of Fortress Europe. Placing contemporary Greek cinema within the context of European film production and transnational cinema, the book explores the fascination of Greek filmmakers with migration, mobility, borders and identity, between 1991 and 2016. With case studies of films such as The Suspended Step of the Stork (1991), The Way to the West (2003), Man at Sea (2011) and many more, this ground-breaking book provides an in-depth understanding of contemporary Greek cinema and its direct correlation to the country’s ongoing struggles to implement European modernity.
Topics
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Frontmatter
i -
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Contents
v -
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List of Figures
vi -
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Acknowledgements
viii -
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Introduction: Greek Immigration Cinema
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1. Looking Across (Greco-Albanian) Borders: Diasporic, Migrant and Supranational Filmmaking
35 -
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2. The Anxieties of Transnationalism: Reception of Immigration Films
56 -
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3. En Route to Fortress Europe: Migration and Exilic Life in Roadblocks
79 -
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4. Tragic Pathos and Border Syndrome: Constantine Giannaris’s Hostage
103 -
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5. Neither ‘Good’ nor ‘Bad’: Reinventing Albanian Identities in Eduart and Mirupafshim
125 -
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6. Others/Mirrors
145 -
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7. Our Own People? Repatriation, Citizenship, Belonging
172 -
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8. Migration Without a Face
197 -
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9. Documenting Crises: Raising Awareness through Documentary Film
224 -
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Filmography
250 -
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Bibliography
252 -
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Index
265