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Edinburgh University Press
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Frontmatter
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS iii
- ACKNOWLEDGEMENTS iv
- SERIES EDITORS’ PREFACE vii
- LIST OF ABBREVIATIONS viii
- INTRODUCTION: MODERN PRINT ARTEFACTS 1
- 1 MAPPING LITERARY VALUE: IMPERIAL/MODERNIST FORMS IN THE ILLUSTRATED LONDON NEWS 42
- 2 ‘QUITE ORDINARY MEN AND WOMEN’: JOHN O’LONDON’S WEEKLY AND THE MEANING OF AUTHORSHIP 94
- 3 REACTIONARY MATERIALISM: BOOK COLLECTING, CONNOISSEURSHIP AND THE READING LIFE IN J. C. SQUIRE’S LONDON MERCURY 141
- 4 HAROLD MONRO, POETRY ANTHOLOGIES AND THE RHETORIC OF TEXTUAL MATERIALITY 185
- POSTSCRIPT: AGAINST ‘MODERNIST STUDIES’ 232
- BIBLIOGRAPHY 239
- INDEX 254
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS iii
- ACKNOWLEDGEMENTS iv
- SERIES EDITORS’ PREFACE vii
- LIST OF ABBREVIATIONS viii
- INTRODUCTION: MODERN PRINT ARTEFACTS 1
- 1 MAPPING LITERARY VALUE: IMPERIAL/MODERNIST FORMS IN THE ILLUSTRATED LONDON NEWS 42
- 2 ‘QUITE ORDINARY MEN AND WOMEN’: JOHN O’LONDON’S WEEKLY AND THE MEANING OF AUTHORSHIP 94
- 3 REACTIONARY MATERIALISM: BOOK COLLECTING, CONNOISSEURSHIP AND THE READING LIFE IN J. C. SQUIRE’S LONDON MERCURY 141
- 4 HAROLD MONRO, POETRY ANTHOLOGIES AND THE RHETORIC OF TEXTUAL MATERIALITY 185
- POSTSCRIPT: AGAINST ‘MODERNIST STUDIES’ 232
- BIBLIOGRAPHY 239
- INDEX 254