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Chapter 3 Phenomenology, Theology and ‘Physical Reality’: The Film Theory Realism of Siegfried Kracauer
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Tyson Wils
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Chapters in this book
- Frontmatter i
- Contents v
- Introduction 1
- Chapter 1 Displaced Vision: The Politics of Realism in Kracauer and Kluge 41
- Chapter 2 The Rhetoric of Madness in Realist Film Theory 53
- Chapter 3 Phenomenology, Theology and ‘Physical Reality’: The Film Theory Realism of Siegfried Kracauer 67
- Chapter 4 ‘Montage, My Fine Care’: Realism, Surrealism and Postmodernism after Bazin 81
- Chapter 5 Multiple Indexicality and Multiple Realism in André Bazin 94
- Chapter 6 André Bazin, or the Ambiguity of Reality 110
- Chapter 7 Realism is to Think Historically: Overlapping Elements in Lukácsian and Brechtian Theories of Realism 123
- Chapter 8 The Moving-image Redemption of Orality and Lukács’s Early Writing on the Cinema 139
- Chapter 9 The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970) 156
- Chapter 10 The Documentary Version of Film History 172
- Chapter 11 The Grierson Testament, 1969–71 187
- Chapter 12 John Grierson: From the Poster Movement to the Informational State 203
- Contributors 219
- Index 222
Chapters in this book
- Frontmatter i
- Contents v
- Introduction 1
- Chapter 1 Displaced Vision: The Politics of Realism in Kracauer and Kluge 41
- Chapter 2 The Rhetoric of Madness in Realist Film Theory 53
- Chapter 3 Phenomenology, Theology and ‘Physical Reality’: The Film Theory Realism of Siegfried Kracauer 67
- Chapter 4 ‘Montage, My Fine Care’: Realism, Surrealism and Postmodernism after Bazin 81
- Chapter 5 Multiple Indexicality and Multiple Realism in André Bazin 94
- Chapter 6 André Bazin, or the Ambiguity of Reality 110
- Chapter 7 Realism is to Think Historically: Overlapping Elements in Lukácsian and Brechtian Theories of Realism 123
- Chapter 8 The Moving-image Redemption of Orality and Lukács’s Early Writing on the Cinema 139
- Chapter 9 The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970) 156
- Chapter 10 The Documentary Version of Film History 172
- Chapter 11 The Grierson Testament, 1969–71 187
- Chapter 12 John Grierson: From the Poster Movement to the Informational State 203
- Contributors 219
- Index 222