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7. From Science Fiction to Psychoanalysis: Henry James’s “Bostonians,” D. H. Lawrence’s “Women in Love,” and Thomas Mann’s “Mario and the Magician”
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Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations viii
- Preface ix
- 1. From Mesmer to Freud: Animal Magnetism, Hypnosis, and Suggestion 1
- 2. Salvation by Electricity: Science, Poetry, and “Naturphilosophie” 45
- 3. Thunder, Lightning, and Electricity: Moments of Recognition in Heinrich von Kleist's Dramas 82
- 4. Blindness and Insight: Visionary Experience in the Tales of E.T.A. Hoffmann 121
- 5. The Metaphysics of the Will: Voyeurs and Visionaries in Balzac’s “Comédie humaine” 152
- 6. Masters and Slaves: The Creative Process in Hawthorne’s Fiction 189
- 7. From Science Fiction to Psychoanalysis: Henry James’s “Bostonians,” D. H. Lawrence’s “Women in Love,” and Thomas Mann’s “Mario and the Magician” 230
- Appendix. Mesmer’s Propositions 273
- Index 277
- Backmatter 303
Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations viii
- Preface ix
- 1. From Mesmer to Freud: Animal Magnetism, Hypnosis, and Suggestion 1
- 2. Salvation by Electricity: Science, Poetry, and “Naturphilosophie” 45
- 3. Thunder, Lightning, and Electricity: Moments of Recognition in Heinrich von Kleist's Dramas 82
- 4. Blindness and Insight: Visionary Experience in the Tales of E.T.A. Hoffmann 121
- 5. The Metaphysics of the Will: Voyeurs and Visionaries in Balzac’s “Comédie humaine” 152
- 6. Masters and Slaves: The Creative Process in Hawthorne’s Fiction 189
- 7. From Science Fiction to Psychoanalysis: Henry James’s “Bostonians,” D. H. Lawrence’s “Women in Love,” and Thomas Mann’s “Mario and the Magician” 230
- Appendix. Mesmer’s Propositions 273
- Index 277
- Backmatter 303