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The Queen of Golconda, the Ashman, and the Shepherd on a Rock: Schubert and the Vienna Volkstheater
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Lisa Feurzeig
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Chapters in this book
- Frontmatter i
- Contents v
- Preface vii
- Acknowledgments xv
- Permissions and Credits xvii
- Schubert: The Nonsense Society Revisited 1
- Excerpts from Beyträge zur Bildung für Jünglinge, 1817–1818 39
- “Those of us who found our life in art”: The Second-Generation Romanticism of the Schubert-Schober Circle, 1820–1825 67
- Schubert’s Kosegarten Settings of 1815: A Forgotten Liederspiel 115
- The Queen of Golconda, the Ashman, and the Shepherd on a Rock: Schubert and the Vienna Volkstheater 157
- Liszt on Schubert’s Alfonso und Estrella 183
- Schubert’s Freedom of Song, if Not Speech 201
- Schubert’s Tombeau de Beethoven: Decrypting the Piano Trio in E-Flat Major, Op. 100 241
- Schubert in History 299
- Index 349
- Notes on Contributors 363
Chapters in this book
- Frontmatter i
- Contents v
- Preface vii
- Acknowledgments xv
- Permissions and Credits xvii
- Schubert: The Nonsense Society Revisited 1
- Excerpts from Beyträge zur Bildung für Jünglinge, 1817–1818 39
- “Those of us who found our life in art”: The Second-Generation Romanticism of the Schubert-Schober Circle, 1820–1825 67
- Schubert’s Kosegarten Settings of 1815: A Forgotten Liederspiel 115
- The Queen of Golconda, the Ashman, and the Shepherd on a Rock: Schubert and the Vienna Volkstheater 157
- Liszt on Schubert’s Alfonso und Estrella 183
- Schubert’s Freedom of Song, if Not Speech 201
- Schubert’s Tombeau de Beethoven: Decrypting the Piano Trio in E-Flat Major, Op. 100 241
- Schubert in History 299
- Index 349
- Notes on Contributors 363
