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"Frontmatter". Flowing Traces: Buddhism in the Literary and Visual Arts of Japan, edited by James H. Sanford, William R. LaFleur and Masatoshi Nagatomi, Princeton: Princeton University Press, 1992, pp. i-vi. https://doi.org/10.1515/9781400862948.fm

(1992). Frontmatter. In J. Sanford, W. LaFleur & M. Nagatomi (Ed.), Flowing Traces: Buddhism in the Literary and Visual Arts of Japan (pp. i-vi). Princeton: Princeton University Press. https://doi.org/10.1515/9781400862948.fm

1992. Frontmatter. In: Sanford, J., LaFleur, W. and Nagatomi, M. ed. Flowing Traces: Buddhism in the Literary and Visual Arts of Japan. Princeton: Princeton University Press, pp. i-vi. https://doi.org/10.1515/9781400862948.fm

"Frontmatter" In Flowing Traces: Buddhism in the Literary and Visual Arts of Japan edited by James H. Sanford, William R. LaFleur and Masatoshi Nagatomi, i-vi. Princeton: Princeton University Press, 1992. https://doi.org/10.1515/9781400862948.fm

Frontmatter. In: Sanford J, LaFleur W, Nagatomi M (ed.) Flowing Traces: Buddhism in the Literary and Visual Arts of Japan. Princeton: Princeton University Press; 1992. p.i-vi. https://doi.org/10.1515/9781400862948.fm

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Chapters in this book

Frontmatter i
Contents vii
Illustrations ix
Acknowledgments xiii
Introduction 1
One. Symbol and Yiigen: Shunzei’s Use of Tendai Buddhism 16
Two. Nature, Courtly Imagery, and Sacred Meaning in the Ippen Hijiri-e 47
Three. Prefiguration and Narrative in Medieval Hagiography: The Ippen Hijiri-e 76
Four. Coping with Death: Paradigms of Heaven and Hell and the Six Realms in Early Literature and Painting 93
Five. Seeing and Being Seen: The Mirror of Performance 131
Six. “The Path of My Mountain”: Buddhism in Nō 149
Seven. Chújóhime: The Weaving of Her Legend 180
Eight. Multiple Commemorations: The Vegetable Nehan of Itō Jakuchū 201
Nine. Holy Horrors: The Sermon-Ballads of Medieval and Early Modern Japan 234
Contributors 263
Index 265

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https://doi.org/10.1515/9781400862948.fm

Chapters in this book

Frontmatter i
Contents vii
Illustrations ix
Acknowledgments xiii
Introduction 1
One. Symbol and Yiigen: Shunzei’s Use of Tendai Buddhism 16
Two. Nature, Courtly Imagery, and Sacred Meaning in the Ippen Hijiri-e 47
Three. Prefiguration and Narrative in Medieval Hagiography: The Ippen Hijiri-e 76
Four. Coping with Death: Paradigms of Heaven and Hell and the Six Realms in Early Literature and Painting 93
Five. Seeing and Being Seen: The Mirror of Performance 131
Six. “The Path of My Mountain”: Buddhism in Nō 149
Seven. Chújóhime: The Weaving of Her Legend 180
Eight. Multiple Commemorations: The Vegetable Nehan of Itō Jakuchū 201
Nine. Holy Horrors: The Sermon-Ballads of Medieval and Early Modern Japan 234
Contributors 263
Index 265

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