Chapter III. HE DID NOT FEEL HIMSELF EXCEPT IN OPPOSITION": THOREAU'S WALDEN

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Chapter III. HE DID NOT FEEL HIMSELF EXCEPT IN OPPOSITION": THOREAU'S WALDEN

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"Chapter III. HE DID NOT FEEL HIMSELF EXCEPT IN OPPOSITION": THOREAU'S WALDEN". Authorship and Audience: Literary Performance in the American Renaissance, Princeton: Princeton University Press, 2014, pp. 50-73. https://doi.org/10.1515/9781400862276.50

(2014). Chapter III. HE DID NOT FEEL HIMSELF EXCEPT IN OPPOSITION": THOREAU'S WALDEN. In Authorship and Audience: Literary Performance in the American Renaissance (pp. 50-73). Princeton: Princeton University Press. https://doi.org/10.1515/9781400862276.50

2014. Chapter III. HE DID NOT FEEL HIMSELF EXCEPT IN OPPOSITION": THOREAU'S WALDEN. Authorship and Audience: Literary Performance in the American Renaissance. Princeton: Princeton University Press, pp. 50-73. https://doi.org/10.1515/9781400862276.50

"Chapter III. HE DID NOT FEEL HIMSELF EXCEPT IN OPPOSITION": THOREAU'S WALDEN" In Authorship and Audience: Literary Performance in the American Renaissance, 50-73. Princeton: Princeton University Press, 2014. https://doi.org/10.1515/9781400862276.50

Chapter III. HE DID NOT FEEL HIMSELF EXCEPT IN OPPOSITION": THOREAU'S WALDEN. In: Authorship and Audience: Literary Performance in the American Renaissance. Princeton: Princeton University Press; 2014. p.50-73. https://doi.org/10.1515/9781400862276.50

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Chapters in this book

Frontmatter i
CONTENTS vii
ACKNOWLEDGMENTS ix
Chapter I. THE ANXIETY OF PERFORMANCE 3
Chapter II. THE HIGH PRIZE OF ELOQUENCE": EMERSON AS ORATOR 23
Chapter III. HE DID NOT FEEL HIMSELF EXCEPT IN OPPOSITION": THOREAU'S WALDEN 50
Chapter IV. MOTHERS, HUSBANDS, AND AN UNCLE: STOWE'S UNCLE TOM'S CABIN 74
Chapter V. THE DEMOCRATIC NONESUCH: SOUTHWESTERN HUMOR 90
Chapter VI. TO OPEN AN INTERCOURSE WITH THE WORLD": HAWTHORNE'S SCARLET LETTER 107
Chapter VII. "AT THE WRITER'S CONTROL": POE'S PSYCHOLOGY OF COMPOSITION 132
Chapter VIII. YOU MUST HAVE PLENTY OF SEA-ROOM TO TELL THE TRUTH IN": MELVILLE'S MOBY-DICK 152
Chapter IX. CONCLUSION: "WHO AIN'T A SLAVE?" 190
NOTES 203
INDEX 237

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https://doi.org/10.1515/9781400862276.50

Chapters in this book

Frontmatter i
CONTENTS vii
ACKNOWLEDGMENTS ix
Chapter I. THE ANXIETY OF PERFORMANCE 3
Chapter II. THE HIGH PRIZE OF ELOQUENCE": EMERSON AS ORATOR 23
Chapter III. HE DID NOT FEEL HIMSELF EXCEPT IN OPPOSITION": THOREAU'S WALDEN 50
Chapter IV. MOTHERS, HUSBANDS, AND AN UNCLE: STOWE'S UNCLE TOM'S CABIN 74
Chapter V. THE DEMOCRATIC NONESUCH: SOUTHWESTERN HUMOR 90
Chapter VI. TO OPEN AN INTERCOURSE WITH THE WORLD": HAWTHORNE'S SCARLET LETTER 107
Chapter VII. "AT THE WRITER'S CONTROL": POE'S PSYCHOLOGY OF COMPOSITION 132
Chapter VIII. YOU MUST HAVE PLENTY OF SEA-ROOM TO TELL THE TRUTH IN": MELVILLE'S MOBY-DICK 152
Chapter IX. CONCLUSION: "WHO AIN'T A SLAVE?" 190
NOTES 203
INDEX 237

Princeton University Press

Chapter III. HE DID NOT FEEL HIMSELF EXCEPT IN OPPOSITION": THOREAU'S WALDEN

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Chapters in this book

Chapters in this book