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SELECTED LIST OF WOMEN EXPERIMENTALISTS
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Kapitel in diesem Buch
- Frontmatter i
- CONTENTS ix
- PREFACE xi
- PERMISSIONS ACKNOWLEDGMENTS xvii
-
INTRODUCTION
- Contexts and Continuities: An Introduction to Women's Experimental Fiction in English 3
-
PERSPECTIVES
- Illiterations 55
- Male Signature, Female Aesthetic: The Gender Politics of Experimental Writing 72
-
FIRST GENERATION: BEFORE 1930
- Dorothy Richardson Versus the Novvle 85
- Woolfenstein 99
-
Second generation: 1930 - 1960
- Breaking the Master Narrative: Jean Rhys's Wide Sargasso Sea 117
- The Radical Narrative of Djuna Barnes's Nigbtwood 129
- Jane Bowles: Experiment as Character 140
- H.D.'s Fiction: Convolutions to Clarity 148
- The Music of the Womb: Anaïs Nin's "Feminine" Writing 161
-
THIRD GENERATION: AFTER 1960
- "Stepping-Stones Into the Dark": Redundancy and Generation in Christine Brooke-Rose's Amalgamemnon 177
- Marguerite Young's Miss Macintosh, My Darling: Liquescence as Form 188
- Fiction as Language Game: The Hermeneutic Parables of Lydia Davis and Maxine Chernoff 199
- The Artists of Hell: Kathy Acker and "Punk" Aesthetics 215
- Voices in the Head: Style and Consciousness in the Fiction of Ann Quin 231
- One Hundred and Three Chapters of Little Times: Collapsed and Transfigured Moments in the Fiction of Barbara Guest 240
- The Sense of Unending: Joyce Carol Oates's Bellefleur as an Experiment in Feminine Storytelling 250
-
LITERATURE IN TRANSLATION
- Experimental Novels? Yes, But Perhaps "Otherwise": Nathalie Sarraute, Monique Wittig 267
- The Clandestine Fictions of Marguerite Duras 284
- NOTES ON CONTRIBUTORS 299
- SELECTED LIST OF WOMEN EXPERIMENTALISTS 301
- INDEX 319
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS ix
- PREFACE xi
- PERMISSIONS ACKNOWLEDGMENTS xvii
-
INTRODUCTION
- Contexts and Continuities: An Introduction to Women's Experimental Fiction in English 3
-
PERSPECTIVES
- Illiterations 55
- Male Signature, Female Aesthetic: The Gender Politics of Experimental Writing 72
-
FIRST GENERATION: BEFORE 1930
- Dorothy Richardson Versus the Novvle 85
- Woolfenstein 99
-
Second generation: 1930 - 1960
- Breaking the Master Narrative: Jean Rhys's Wide Sargasso Sea 117
- The Radical Narrative of Djuna Barnes's Nigbtwood 129
- Jane Bowles: Experiment as Character 140
- H.D.'s Fiction: Convolutions to Clarity 148
- The Music of the Womb: Anaïs Nin's "Feminine" Writing 161
-
THIRD GENERATION: AFTER 1960
- "Stepping-Stones Into the Dark": Redundancy and Generation in Christine Brooke-Rose's Amalgamemnon 177
- Marguerite Young's Miss Macintosh, My Darling: Liquescence as Form 188
- Fiction as Language Game: The Hermeneutic Parables of Lydia Davis and Maxine Chernoff 199
- The Artists of Hell: Kathy Acker and "Punk" Aesthetics 215
- Voices in the Head: Style and Consciousness in the Fiction of Ann Quin 231
- One Hundred and Three Chapters of Little Times: Collapsed and Transfigured Moments in the Fiction of Barbara Guest 240
- The Sense of Unending: Joyce Carol Oates's Bellefleur as an Experiment in Feminine Storytelling 250
-
LITERATURE IN TRANSLATION
- Experimental Novels? Yes, But Perhaps "Otherwise": Nathalie Sarraute, Monique Wittig 267
- The Clandestine Fictions of Marguerite Duras 284
- NOTES ON CONTRIBUTORS 299
- SELECTED LIST OF WOMEN EXPERIMENTALISTS 301
- INDEX 319