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"INTRODUCTION". Reading Opera, edited by Arthur Groos and Roger Parker, Princeton: Princeton University Press, 1988, pp. 1-11. https://doi.org/10.1515/9781400859597.1

(1988). INTRODUCTION. In A. Groos & R. Parker (Ed.), Reading Opera (pp. 1-11). Princeton: Princeton University Press. https://doi.org/10.1515/9781400859597.1

1988. INTRODUCTION. In: Groos, A. and Parker, R. ed. Reading Opera. Princeton: Princeton University Press, pp. 1-11. https://doi.org/10.1515/9781400859597.1

"INTRODUCTION" In Reading Opera edited by Arthur Groos and Roger Parker, 1-11. Princeton: Princeton University Press, 1988. https://doi.org/10.1515/9781400859597.1

INTRODUCTION. In: Groos A, Parker R (ed.) Reading Opera. Princeton: Princeton University Press; 1988. p.1-11. https://doi.org/10.1515/9781400859597.1

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Frontmatter i
CONTENTS v
ACKNOWLEDGMENTS vii
INTRODUCTION 1
Appropriation in Wagner's Tristan Libretto 12
Boito and F.-V. Hugo's "Magnificent Translation": A Study in the Genesis of the Otello Libretto 34
An Unseen Player: Destiny in FelUas et Malisande 60
The Origins of Italian Literaturoper: Guglielmo Ratcliff, La figlia di Iorio, Parisina, and Francesca da Rimini 92
Erik's Dream and Tannhauser's Journey 129
The Languages of Love in Carmen 168
How to Avoid Believing (While Reading Iago's "Credo") 184
The Numinous in Gotterdammerung 200
Musorgsky's Libretti on Historical Themes: From the Two Borises to Khovanshchina 235
Boito and the 1868 Mefistofele Libretto as a Reform Text 268
On Reading Nineteenth-Century Opera: Verdi through the Looking-Glass 288
Strauss and the Pervert 306
A Deconstructive Postscript: Reading Libretti and Misreading Opera 328
INDEX 347

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https://doi.org/10.1515/9781400859597.1

Kapitel in diesem Buch

Frontmatter i
CONTENTS v
ACKNOWLEDGMENTS vii
INTRODUCTION 1
Appropriation in Wagner's Tristan Libretto 12
Boito and F.-V. Hugo's "Magnificent Translation": A Study in the Genesis of the Otello Libretto 34
An Unseen Player: Destiny in FelUas et Malisande 60
The Origins of Italian Literaturoper: Guglielmo Ratcliff, La figlia di Iorio, Parisina, and Francesca da Rimini 92
Erik's Dream and Tannhauser's Journey 129
The Languages of Love in Carmen 168
How to Avoid Believing (While Reading Iago's "Credo") 184
The Numinous in Gotterdammerung 200
Musorgsky's Libretti on Historical Themes: From the Two Borises to Khovanshchina 235
Boito and the 1868 Mefistofele Libretto as a Reform Text 268
On Reading Nineteenth-Century Opera: Verdi through the Looking-Glass 288
Strauss and the Pervert 306
A Deconstructive Postscript: Reading Libretti and Misreading Opera 328
INDEX 347

INTRODUCTION

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