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THREE. Corruption and the Moral Boundaries of Patronage in the Renaissance
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Chapters in this book
- Frontmatter i
- CONTENTS v
- LIST OF ILLUSTRATIONS vii
- PREFACE xi
- CONTRIBUTORS xiii
-
PART I. Introduction
- ONE. Patronage in the Renaissance: An Exploratory Approach 3
-
PART II. Patronage in the Church and State
- TWO. Court Patronage and Government Policy: The Jacobean Dilemma 27
- THREE. Corruption and the Moral Boundaries of Patronage in the Renaissance 47
- FOUR. Religion and the Lay Patron in Reformation England 65
-
PART III. Patronage and the Arts
- FIVE. Henry VII and the Origins of Tudor Patronage 117
- SIX. The Political Failure of Stuart Cultural Patronage 165
-
Literature
- SEVEN. Literary Patronage in Elizabethan England: The Early Phase 191
- EIGHT. John Donne and the Rewards of Patronage 207
- NINE. Sir Walter Ralegh and the Literature of Clientage 235
-
Theatre
- TEN. The Royal Theatre and the Role of King 261
- ELEVEN. Women as Patrons of English Renaissance Drama 274
-
The Visual Arts
- TWELVE. Artists, Patrons, and Advisers in the Italian Renaissance 293
- THIRTEEN. The Birth of "Artistic License": The Dissatisfied Patron in the Early Renaissance 344
- FOURTEEN. Patterns of Preference: Patronage of Sixteenth- Century Architects by the Venetian Patriciate 354
- BIBLIOGRAPHIC NOTE 381
- INDEX 383
Chapters in this book
- Frontmatter i
- CONTENTS v
- LIST OF ILLUSTRATIONS vii
- PREFACE xi
- CONTRIBUTORS xiii
-
PART I. Introduction
- ONE. Patronage in the Renaissance: An Exploratory Approach 3
-
PART II. Patronage in the Church and State
- TWO. Court Patronage and Government Policy: The Jacobean Dilemma 27
- THREE. Corruption and the Moral Boundaries of Patronage in the Renaissance 47
- FOUR. Religion and the Lay Patron in Reformation England 65
-
PART III. Patronage and the Arts
- FIVE. Henry VII and the Origins of Tudor Patronage 117
- SIX. The Political Failure of Stuart Cultural Patronage 165
-
Literature
- SEVEN. Literary Patronage in Elizabethan England: The Early Phase 191
- EIGHT. John Donne and the Rewards of Patronage 207
- NINE. Sir Walter Ralegh and the Literature of Clientage 235
-
Theatre
- TEN. The Royal Theatre and the Role of King 261
- ELEVEN. Women as Patrons of English Renaissance Drama 274
-
The Visual Arts
- TWELVE. Artists, Patrons, and Advisers in the Italian Renaissance 293
- THIRTEEN. The Birth of "Artistic License": The Dissatisfied Patron in the Early Renaissance 344
- FOURTEEN. Patterns of Preference: Patronage of Sixteenth- Century Architects by the Venetian Patriciate 354
- BIBLIOGRAPHIC NOTE 381
- INDEX 383