Kapitel
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20. Tough tenderness
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Preface xi
-
I. Prologue to American Exile
- 1. Brecht And America — The New Atlantis 3
- 2. Newyork, 1935 6
- 3. "Changing Countries More Often Than Shoes" 21
- 4. Culture shock 30
-
II. Brecht and Hollywood
- 5. "Spellyourname" 43
- 6. Playing "Roulette" With Film Stories 48
- 7. A Qualified Winner - The Film Hangmenalso Die 58
- 8. More hollywood roulette 72
- 9. Film-Writing Till the End 80
-
III. The Difficult Brecht
- 10. Obdurategenius 89
-
IV. Brecht and the American Theater
- 11. Building Up to Broadway 99
- 12. Hope, Frustration, and Schweyk in the Second World War 108
- 13. Broadway and the Caucasian Chalk Circle 121
- 14. Off-Broadway, 1945: The Private Life of the Master Race 132
- 15. Broadwayandbust, 1946: The Duchess of Malfi 142
- 16. "Organizing His Fame"— Miscellaneous Dramatic Activities 151
- 17. Charles Laughton And Galileo— Acting as a Mode of Translating 167
- 18. More Galileos 174
- 19. Galileo at Last 184
-
V. Brecht and Feelings
- 20. Tough tenderness 205
- 21. Brecht and Peter Lorre 210
- 22. Ferdinand Reyher 215
- 23. Brecht's Women 221
-
VI. The Charismatic Brecht
- 24. Collaboration with Brecht 235
- 25. Young American Disctples 241
-
VII. Brecht and the Germans
- 26. "Where I am is Germany" - The Refugee Ghetto 251
- 27. Brecht, Thomas Mann, and Germany 263
-
VIII. The Ideological Brecht
- 28. Anti-Fascist Political Activities 273
- 29. Anti-Fascist Writings 282
- 30. Brecht and the American Left 288
-
IX. The Last Act in America
- 31. The promise of Europe 309
- 32. Brecht Before "Huac" 314
-
X. Epilogue
- 33. America Before and After 341
- A Word on Sources 349
- Notes 353
- Published Works Consulted 385
- Selected Bibliography of Brecht's Works in English 395
- Index 397
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Preface xi
-
I. Prologue to American Exile
- 1. Brecht And America — The New Atlantis 3
- 2. Newyork, 1935 6
- 3. "Changing Countries More Often Than Shoes" 21
- 4. Culture shock 30
-
II. Brecht and Hollywood
- 5. "Spellyourname" 43
- 6. Playing "Roulette" With Film Stories 48
- 7. A Qualified Winner - The Film Hangmenalso Die 58
- 8. More hollywood roulette 72
- 9. Film-Writing Till the End 80
-
III. The Difficult Brecht
- 10. Obdurategenius 89
-
IV. Brecht and the American Theater
- 11. Building Up to Broadway 99
- 12. Hope, Frustration, and Schweyk in the Second World War 108
- 13. Broadway and the Caucasian Chalk Circle 121
- 14. Off-Broadway, 1945: The Private Life of the Master Race 132
- 15. Broadwayandbust, 1946: The Duchess of Malfi 142
- 16. "Organizing His Fame"— Miscellaneous Dramatic Activities 151
- 17. Charles Laughton And Galileo— Acting as a Mode of Translating 167
- 18. More Galileos 174
- 19. Galileo at Last 184
-
V. Brecht and Feelings
- 20. Tough tenderness 205
- 21. Brecht and Peter Lorre 210
- 22. Ferdinand Reyher 215
- 23. Brecht's Women 221
-
VI. The Charismatic Brecht
- 24. Collaboration with Brecht 235
- 25. Young American Disctples 241
-
VII. Brecht and the Germans
- 26. "Where I am is Germany" - The Refugee Ghetto 251
- 27. Brecht, Thomas Mann, and Germany 263
-
VIII. The Ideological Brecht
- 28. Anti-Fascist Political Activities 273
- 29. Anti-Fascist Writings 282
- 30. Brecht and the American Left 288
-
IX. The Last Act in America
- 31. The promise of Europe 309
- 32. Brecht Before "Huac" 314
-
X. Epilogue
- 33. America Before and After 341
- A Word on Sources 349
- Notes 353
- Published Works Consulted 385
- Selected Bibliography of Brecht's Works in English 395
- Index 397