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Chapter
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Contents
Chapters in this book
- Frontmatter i
- Contents v
- Collecting the New: A Historical Introduction 1
- The Right to Be Wrong 15
- To Have and to Hold 29
- 9 Minutes 45 Seconds 41
- Breaking Down Categories: Print Rooms, Drawing Departments, and the Museum 55
- Keeping Time: On Collecting Film and Video Art in the Museum 65
- Collecting New-Media Art: Just Like Anything Else, Only Different 85
- Beyond the “Authentic-Exotic”: Collecting Contemporary Asian Art in the Twenty-first Century 103
- The Unconscious Museum: Collecting Contemporary African Art without Knowing It 115
- The Accidental Tourist: American Collections of Latin American Art 131
- Collecting the Art of African-Americans at the Studio Museum in Harlem: Positioning the “New” from the Perspective of the Past 147
- The Challenges of Conserving Contemporary Art 163
- Acknowledgments 179
- Index 181
- Photography Credits 194
Chapters in this book
- Frontmatter i
- Contents v
- Collecting the New: A Historical Introduction 1
- The Right to Be Wrong 15
- To Have and to Hold 29
- 9 Minutes 45 Seconds 41
- Breaking Down Categories: Print Rooms, Drawing Departments, and the Museum 55
- Keeping Time: On Collecting Film and Video Art in the Museum 65
- Collecting New-Media Art: Just Like Anything Else, Only Different 85
- Beyond the “Authentic-Exotic”: Collecting Contemporary Asian Art in the Twenty-first Century 103
- The Unconscious Museum: Collecting Contemporary African Art without Knowing It 115
- The Accidental Tourist: American Collections of Latin American Art 131
- Collecting the Art of African-Americans at the Studio Museum in Harlem: Positioning the “New” from the Perspective of the Past 147
- The Challenges of Conserving Contemporary Art 163
- Acknowledgments 179
- Index 181
- Photography Credits 194