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Chapter 7. Friction, Collision, and the Grotesque
The Dystopic Fragments of Bombay Cinema
-
Ranjani Mazumdar
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Introduction. Imaging the Modern City, Darkly 1
-
Modernism and Urban Dystopia
- Chapter 1. The Phantasm of the Apocalypse 17
- Chapter 2. Sounds Like Hell 31
- Chapter 3. Tlatelolco 53
-
The Aesthetics of the Dark City
- Chapter 4. A Regional Geography of Film Noir 75
- Chapter 5. Oh No, There Goes Tokyo 104
- Chapter 6. Postsocialist Urban Dystopia? 127
- Chapter 7. Friction, Collision, and the Grotesque 150
-
Imaging Urban Crisis
- Chapter 8. Topographies of Distress 187
- Chapter 9. Living in Dystopia 218
- Chapter 10. Imaging Urban Breakdown 241
- Contributors 261
- Index 265
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Introduction. Imaging the Modern City, Darkly 1
-
Modernism and Urban Dystopia
- Chapter 1. The Phantasm of the Apocalypse 17
- Chapter 2. Sounds Like Hell 31
- Chapter 3. Tlatelolco 53
-
The Aesthetics of the Dark City
- Chapter 4. A Regional Geography of Film Noir 75
- Chapter 5. Oh No, There Goes Tokyo 104
- Chapter 6. Postsocialist Urban Dystopia? 127
- Chapter 7. Friction, Collision, and the Grotesque 150
-
Imaging Urban Crisis
- Chapter 8. Topographies of Distress 187
- Chapter 9. Living in Dystopia 218
- Chapter 10. Imaging Urban Breakdown 241
- Contributors 261
- Index 265