Chapters in this book

1. Frontmatter i
2. Contents v
3. Preface and Acknowledgments ix
4. A Schoenberg Chronology 1
5. PART I ESSAYS
6. Schoenberg and the Audience: Modernism, Music, and Politics in the Twentieth Century 19
7. Schoenberg as Theorist: Three Forms of Presentation 55
8. Schoenberg and His Public in 1930: The Six Pieces for Male Chorus, Op. 35 85
9. Schoenberg and Bach 126
10. The Compressed Symphony: On the Historical Content of Schoenberg's Op. 9 141
11. Schoenberg the Reactionary 162
12. PART II ARNOLD SCHÖNBERG (1912)
13. Editor's Introduction 195
14. Contents 201
15. BIOGRAPHICAL 202
16. THE WORKS 203
17. AS INTRODUCTION 204
18. SCHOENBERG'S MUSIC 210
19. THE HARMONIELEHRE 231
20. THE PAINTINGS 238
21. SCHOENBERG THE PAINTER 243
22. THE TEACHER 250
23. PART III ARNOLD SCHOENBERG SPEAKS
24. Arnold Schoenberg Speaks: Newspaper Accounts of His Lectures and Interviews, 1927-1933 265
25. Arnold Schoenberg Speaks— Lecture at the Academy of Fine Arts in Berlin Arno Huth (Berlin) 268
26. Where is German Music Headed?— An Interview with Schoenberg in Paris 270
27. A. Schoenberg, Die gliickliche Hand —German Premiere in Breslau Dr. O. G. 273
28. Arnold Schoenberg Holds Forth M. B. 274
29. A Musician Offers a Glimpse into His Workshop Karl Holl 276
30. Arnold Schoenberg's Idea W.J. 279
31. Music-Ideas from Yesterday— A Lecture by Arnold Schoenberg at the Society for New Music, Cologne 280
32. PART IV. SCHOENBERG AND AMERICA
33. Schoenberg and America Schoenberg and America SELECTED AND INTRODUCED BY SABINE FEISST 285
34. Schoenberg on America: Articles, Speeches, Commentary 285
35. This Man Schonberg! A Word of Warning to the Unwise 312
36. Who is the Greatest Living Composer? 315
37. Welcome for the Incoming Modern Master: Roundabout with Schoenberg Who Should Arrive in Boston Next Week 317
38. Homage to Schoenberg: The Late Works 323
39. Schoenberg in the United States 327
40. Index 337
41. Notes on the Contributors 351