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Chapter 7. Pound’S Soundtrack: “Reading Cantos for What Is on the Page”
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction. “Making Choice of a Human Self” 1
-
Part One. Lyric Theory
- Chapter 1. The Lyric Subject 27
- Chapter 2. The Historical “I” 45
- Chapter 3. The Scripted “I” 78
- Chapter 4. The Body of Words 96
-
Part Two. Lyric Practice
- Chapter 5. Four Quartets: Rhetoric Redeemed 115
- Chapter 6. Wallace Stevens and “The Less Legible Meanings of Sounds” 133
- Chapter 7. Pound’S Soundtrack: “Reading Cantos for What Is on the Page” 149
- Chapter 8. Anne Sexton, “The Typo” 178
- Coda. The Haunted House of “Anna” 198
- Works Cited 205
- Index 213
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction. “Making Choice of a Human Self” 1
-
Part One. Lyric Theory
- Chapter 1. The Lyric Subject 27
- Chapter 2. The Historical “I” 45
- Chapter 3. The Scripted “I” 78
- Chapter 4. The Body of Words 96
-
Part Two. Lyric Practice
- Chapter 5. Four Quartets: Rhetoric Redeemed 115
- Chapter 6. Wallace Stevens and “The Less Legible Meanings of Sounds” 133
- Chapter 7. Pound’S Soundtrack: “Reading Cantos for What Is on the Page” 149
- Chapter 8. Anne Sexton, “The Typo” 178
- Coda. The Haunted House of “Anna” 198
- Works Cited 205
- Index 213