Edinburgh University Press
Virginia Woolf – Objects, Things, Matter
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Edited by:
About this book
The first book-length account of Woolf’s vital, active and strange objects, things and matter
- Offers a wide range of theoretical and creative engagements with objects, things and matter in Woolf’s fiction and nonfiction from leading and emerging scholars
- Brings together short, object-focused chapters and longer chapters that illuminate Woolf’s material engagements
- Features creative experiments inspired by Woolf’s attention to objects, which are accompanied by author/artist notes
- Includes an extended introduction that concisely overviews the theoretical approaches to the three key terms of the volume
Virginia Woolf’s deep and creative interest in materiality is not only illuminated by but precedes current theorisations of objects, things and matter – among them, new materialism, object-oriented ontology and thing theory. Through both critical and creative engagements, contributors explore the possibilities and limitations of these theoretical accounts: what new readings they afford; what they say that Woolf has already shown us; and how Woolf goes beyond or can’t be fully captured by these ideas. This volume thus gathers various, sometimes even contradictory, approaches on the topic; in turn, it emphasises congruences and tensions in theoretical, literary and cultural interpretations of Woolf’s material investments. What emerges in Virginia Woolf – Objects, Things, Matter is an account of how Woolf reveals things to be vital, active and strange by refiguring the relationship between subject and object and, at times, even inverting, subverting or redefining those very terms.
Topics
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Frontmatter
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Contents
v -
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Figures
viii -
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Note on the Cover
x -
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Acknowledgements
xii -
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Series Preface
xiii -
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Abbreviations
xiv -
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Notes on Contributors
xv -
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Introduction: Virginia Woolf – Objects, Things, Matter
1 - Part I Approaches to Objects, Things and Matter in Woolf
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Chapter 1 Virginia Woolf and Modernist New Materialism
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Chapter 2 Jacob’s Im/material Form
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Chapter 3 Inanimacy: Virginia Woolf’s Materialisms
62 -
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Chapter 4 ‘Of being herself invisible’: Object, Thing, Matter and Use in Mrs Dalloway and Three Guineas
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Chapter 5 A Toy Boat of Her Own: Gender, Play and Education in Virginia Woolf’s Writings
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Chapter 6 Cotton, Race, Embodiment and ‘the thing itself’ in Woolf
122 -
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Chapter 7 Virginia Woolf’s Misuse of ‘Cotton Wool’ in ‘A Sketch of the Past’: Writing the Wound
141 - Part II Object Experiments with Woolf
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Chapter 8 Object Lessons
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Chapter 9 Material Reading: Letterpress Printing with Woolf
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Chapter 10 The Life of Monday or Tuesday
182 -
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Chapter 11 More Surfaces: A Monologue, or the Queer Interiorities of a Gramophone
187 -
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Chapter 12 six
193 -
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Chapter 13 Spider Kingdom
197 - Part III A Collection of Woolfian Things
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Chapter 14 The Jug in the Borderland
209 -
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Chapter 15 ‘Enjoying this immortal rhythm’: Woolf and the Gramophone
221 -
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Chapter 16 The Ghostly Pencil
232 -
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Chapter 17 ‘tremb tremulous fitful’: Missed Encounters in Mirrors
242 -
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Chapter 18 The ‘Vanished’ Walrus Pen-Wiper: Waste and the Animal Object
254 -
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Chapter 19 Pointz Hall as Hyperobject: Woolf’s Deep Geological History in Between the Acts
266 -
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Afterword: Upheavals of Matter
277 -
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Index
291