Edinburgh University Press
ReFocus: The Films of Steve McQueen
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Edited by:
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About this book
Working across a range of formats, from video art and gallery installations to independent cinema to Hollywood to the BBC, Steve McQueen’s prodigious output has been marked by formal ambition and political urgency. This vital collection interrogates his body of work, its political, aesthetic and institutional dimensions, and the interfaces between them. It offers critical insights into McQueen’s engagements with race, gender, the body, love and pain, and his abiding self-reflexive interest in the potential of multiple audio-visual forms. The first director to win both the Turner Prize and an Oscar for best picture, McQueen is probably the most important working British film maker. This book explores the controversies as well as the achievements in his stellar career so far.
Topics
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Frontmatter
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Contents
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List of Figures
vii -
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Notes on Contributors
ix -
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Acknowledgements
xi -
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Introduction: Why Steve McQueen Matters
1 - Part 1
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1 From Exodus to Small Axe: Steve McQueen’s Filmic World of Two Halves
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2 Surplus Liveness and Black Male Performance in Girls, Tricky
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3 Eye Witness: Memorialising Humanity in Steve McQueen’s Hunger
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4 Shame and the City: Subverting Neoliberal, New York Singleton Culture in Shame
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5 If it is to be done, how?: Considering a Robeson Biopic
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6 The Slave Narrative and Filmic Aesthetics: Steve McQueen, Solomon Northup and Colonial Violence
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7 Working for/working with/working against – Widows and the Politics and Poetics of Genre
96 - Part 2
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8 Is Small Axe Cinema or Television and does it Matter? Discourses of Authorship and Production in the Publicity for Small Axe
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9 Small Axe and/as Cinematic Television
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10 Love in a Cold Climate: Lovers Rock
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11 A Different Kind of Dread: Dub, Ecstasy and Collective Memory in Lovers Rock
158 -
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12 The Burden of Expectation: Where are the Women in Steve McQueen’s Small Axe Films?
172 -
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13 Boy with Flag and Black British Experience in Handsworth Songs and Red, White and Blue
185 -
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14 Small Axe is a Start: An interview with Bernard Coard
194 -
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Films and Television Programmes
199 -
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Bibliography
201 -
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Index
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