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Chapter 2 D’Annunzio and Japonism
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Mariko Muramatsu
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements viii
- Introduction 1
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Part I A Poetics of Fusion: Cultural Appropriation, Multilingualism, Translingual Writing
- Chapter 1 D’Annunzio and the Greek and Latin Classics 29
- Chapter 2 D’Annunzio and Japonism 48
- Chapter 3 Il Piacere as a Multilingual Text and its Afterlife in Translation 67
- Chapter 4 ‘The essence of the race’: La figlia di Iorio and Italian Dialects 85
- Chapter 5 The ‘Latin sister’: D’Annunzio’s Relationship to the French Language 102
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Part II Translators as Transcultural Negotiators
- Chapter 6 Gabriele D’Annunzio and Georges Hérelle: Virility, Machismo and the Homoerotic 123
- Chapter 7 After Hérelle: André Doderet, the (In)visible Translator 141
- Chapter 8 ‘An Artist in Translation’: D’Annunzio, Arthur Symons and Symbolist Drama 160
- Chapter 9 Gabriele D’Annunzio and Karl Gustav Vollmoeller: From Classical Culture to the Attractions of Motor Power 180
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Part III D’Annunzio’s Global Fin-de-siècle Reception
- Chapter 10 Fin-de-Meiji as Fin-de-siècle: D’Annunzio and Japanese Literature 201
- Chapter 11 D’Annunzio’s Feminine Archetypes, Nationalist Ideology and Catalan Modernism 221
- Chapter 12 Gabriele D’Annunzio and the Austrian Reception after Italy’s Entry into the War 232
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Part IV Complex Legacies
- Chapter 13 D’Annunzio and Argentina: From Elitism to Mass Nationalism 251
- Chapter 14 Gabriele D’Annunzio in the United States: Politics and Stereotypes 267
- Chapter 15 The Myth of Gabriele D’Annunzio in Russian Culture, 1890–2010: From ‘Songs of the Native Land’ to the ‘Winged Cyclops’ 285
- Chapter 16 From ‘Great Italian Poet’ to ‘Fascist Writer’: D’Annunzio and Arabic Culture 305
- Chapter 17 Morlach’s Blood in Fiume’s Mensa: D’Annunzio and the Intimate Adriatic 316
- Chapter 18 Infatuated with Il Vate: Mishima’s Transnational Mimesis of D’Annunzio as Decadent Poet, Patriot and Celebrity 330
- D’Annunzio in the Twenty-First Century 345
- Bibliography 358
- Index 393
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements viii
- Introduction 1
-
Part I A Poetics of Fusion: Cultural Appropriation, Multilingualism, Translingual Writing
- Chapter 1 D’Annunzio and the Greek and Latin Classics 29
- Chapter 2 D’Annunzio and Japonism 48
- Chapter 3 Il Piacere as a Multilingual Text and its Afterlife in Translation 67
- Chapter 4 ‘The essence of the race’: La figlia di Iorio and Italian Dialects 85
- Chapter 5 The ‘Latin sister’: D’Annunzio’s Relationship to the French Language 102
-
Part II Translators as Transcultural Negotiators
- Chapter 6 Gabriele D’Annunzio and Georges Hérelle: Virility, Machismo and the Homoerotic 123
- Chapter 7 After Hérelle: André Doderet, the (In)visible Translator 141
- Chapter 8 ‘An Artist in Translation’: D’Annunzio, Arthur Symons and Symbolist Drama 160
- Chapter 9 Gabriele D’Annunzio and Karl Gustav Vollmoeller: From Classical Culture to the Attractions of Motor Power 180
-
Part III D’Annunzio’s Global Fin-de-siècle Reception
- Chapter 10 Fin-de-Meiji as Fin-de-siècle: D’Annunzio and Japanese Literature 201
- Chapter 11 D’Annunzio’s Feminine Archetypes, Nationalist Ideology and Catalan Modernism 221
- Chapter 12 Gabriele D’Annunzio and the Austrian Reception after Italy’s Entry into the War 232
-
Part IV Complex Legacies
- Chapter 13 D’Annunzio and Argentina: From Elitism to Mass Nationalism 251
- Chapter 14 Gabriele D’Annunzio in the United States: Politics and Stereotypes 267
- Chapter 15 The Myth of Gabriele D’Annunzio in Russian Culture, 1890–2010: From ‘Songs of the Native Land’ to the ‘Winged Cyclops’ 285
- Chapter 16 From ‘Great Italian Poet’ to ‘Fascist Writer’: D’Annunzio and Arabic Culture 305
- Chapter 17 Morlach’s Blood in Fiume’s Mensa: D’Annunzio and the Intimate Adriatic 316
- Chapter 18 Infatuated with Il Vate: Mishima’s Transnational Mimesis of D’Annunzio as Decadent Poet, Patriot and Celebrity 330
- D’Annunzio in the Twenty-First Century 345
- Bibliography 358
- Index 393