Chapters in this book

1. Frontmatter i
2. Contents vii
3. Illustrations ix
4. Foreword. Manipulating Music—a Perspective of Practicing Composers x
5. Preface xii
6. Acknowledgments xviii
7. Contributors xx
8. Introduction “How Does Music Work?” Toward a Pragmatics of Musical Communication 1
9. Manipulation by Music
10. PART I MUSIC EVENTS
11. Chapter 1 Ritual and Ritualization Musical Means of Conveying and Shaping Emotion in Humans and Other Animals 29
12. Chapter 2 Music, Identity, and Social Control 57
13. Chapter 3 Between Ideology and Identity Media, Discourse, and Affect in the Musical Experience 74
14. PART II BACKGROUND MUSIC
15. Chapter 4 Music in Business Environments 101
16. Chapter 5 The Social Uses of Background Music for Personal Enhancement 126
17. PART III AUDIOVISUAL MEDIA
18. Chapter 6 Music, Moving Images, Semiotics, and the Democratic Right to Know 161
19. Chapter 7 Music Video and Genre Structure, Context, and Commerce 187
20. Chapter 8 The Effectiveness of Music in Television Commercials A Comparison of Theoretical Approaches 207
21. Manipulation of Music
22. PART IV GOVERNMENTAL/ INDUSTRIAL CONTROL
23. Chapter 9 Music Censorship from Plato to the Present 237
24. Chapter 10 Orpheus in Hell Music in the Holocaust 264
25. Chapter 11 The Changing Structure of the Music Industry Threats to and Opportunities for Creativity 287
26. PART V CONTROL BY REUSE
27. Chapter 12 Music and Reuse Theoretical and Historical Considerations 313
28. Chapter 13 Copyright, Music, and Morals Artistic Expression and the Public Sphere 336
29. Aesth/ethic Epilogue Is Mozart’s Music Good? 365
30. Index 370