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2. Gathering for God: George Brown and the Christian Economy in the Collection of Artefacts
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Helen Gardner
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- List of Illustrations ix
- Notes on contributors xiii
- Preface xvii
- 1. Introduction 1
- 2. Gathering for God: George Brown and the Christian Economy in the Collection of Artefacts 35
- 3. Exploring Tensions in Material Culture: Commercialising Ethnography in German New Guinea, 1870–1904 55
- 4. ‘Before it has Become too Late’: The Making and Repatriation of Sir William MacGregor’s Official Collection from British New Guinea 81
- 5. Surveying Culture: Photography, Collecting and Material Culture in British New Guinea, 1898 103
- 6. Collecting Pygmies: the ‘Tapiro’ and the British Ornithologists’ Union Expedition to Dutch New Guinea, 1910–1911 127
- 7. One Time, One Place, Three Collections: Colonial Processes and the Shaping of Some Museum Collections from German New Guinea 155
- 8. The Careless Collector: Malinowski and the Antiquarians 181
- 9. Felix Speiser’s Fletched Arrow: A Paradigm Shift from Physical Anthropology to Art Styles 203
- 10. On His Todd: Material Culture and Colonialism 227
- 11. Reverse Trajectories: Beatrice Blackwood as Collector and Anthropologist 251
- 12. Epilogue 273
- Index 279
Chapters in this book
- Frontmatter i
- CONTENTS vii
- List of Illustrations ix
- Notes on contributors xiii
- Preface xvii
- 1. Introduction 1
- 2. Gathering for God: George Brown and the Christian Economy in the Collection of Artefacts 35
- 3. Exploring Tensions in Material Culture: Commercialising Ethnography in German New Guinea, 1870–1904 55
- 4. ‘Before it has Become too Late’: The Making and Repatriation of Sir William MacGregor’s Official Collection from British New Guinea 81
- 5. Surveying Culture: Photography, Collecting and Material Culture in British New Guinea, 1898 103
- 6. Collecting Pygmies: the ‘Tapiro’ and the British Ornithologists’ Union Expedition to Dutch New Guinea, 1910–1911 127
- 7. One Time, One Place, Three Collections: Colonial Processes and the Shaping of Some Museum Collections from German New Guinea 155
- 8. The Careless Collector: Malinowski and the Antiquarians 181
- 9. Felix Speiser’s Fletched Arrow: A Paradigm Shift from Physical Anthropology to Art Styles 203
- 10. On His Todd: Material Culture and Colonialism 227
- 11. Reverse Trajectories: Beatrice Blackwood as Collector and Anthropologist 251
- 12. Epilogue 273
- Index 279