Berghahn Books
Hunting the Gatherers
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Edited by:
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About this book
Between the 1870s and the 1930s competing European powers carved out and consolidated colonies in Melanesia, the most culturally diverse region of the world. As part of this process, great assemblages of ethnographic artefacts were made by a range of collectors whose diversity is captured in this volume. The contributors to this tightly-integrated volume take these collectors, and the collecting institutions, as the departure point for accounts that look back at the artefact-producing societies and their interaction with the collectors, but also forward to the fate of the collections in metropolitan museums, as the artefacts have been variously exhibited, neglected, re-conceived as indigenous heritage, or repatriated. In doing this, the contributors raise issues of current interest in anthropology, Pacific history, art history, museology, and material culture.
Author / Editor information
Michael O'Hanlon is Director of the Pitt Rivers Museum, University of Oxford.
--- Contributor: Robert L. WelschRobert L. Welsch teaches at the Department of Anthropology, Dartmouth, New Hampshire.
Reviews
“... a most welcome book ... Reading this book should irrevocably change how one looks at an ethnographic exhibit ... These wide-ranging articles ... augment our understanding of museums and their objects ... Overall, this is a rich collection of essays, brimming with data and, for the most part, cogently analysed.” · JRAI
Topics
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Frontmatter
i -
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CONTENTS
vii -
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List of Illustrations
ix -
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Notes on contributors
xiii -
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Preface
xvii -
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1. Introduction
1 -
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2. Gathering for God: George Brown and the Christian Economy in the Collection of Artefacts
35 -
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3. Exploring Tensions in Material Culture: Commercialising Ethnography in German New Guinea, 1870–1904
55 -
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4. ‘Before it has Become too Late’: The Making and Repatriation of Sir William MacGregor’s Official Collection from British New Guinea
81 -
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5. Surveying Culture: Photography, Collecting and Material Culture in British New Guinea, 1898
103 -
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6. Collecting Pygmies: the ‘Tapiro’ and the British Ornithologists’ Union Expedition to Dutch New Guinea, 1910–1911
127 -
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7. One Time, One Place, Three Collections: Colonial Processes and the Shaping of Some Museum Collections from German New Guinea
155 -
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8. The Careless Collector: Malinowski and the Antiquarians
181 -
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9. Felix Speiser’s Fletched Arrow: A Paradigm Shift from Physical Anthropology to Art Styles
203 -
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10. On His Todd: Material Culture and Colonialism
227 -
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11. Reverse Trajectories: Beatrice Blackwood as Collector and Anthropologist
251 -
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12. Epilogue
273 -
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Index
279