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Chapter
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List of Plates from Night and Fog
Chapters in this book
- Frontmatter i
- Contents v
- List of Plates from Night and Fog vii
- List of Figures ix
- Foreword xi
- Acknowledgements xii
- Introduction: Concentrationary Cinema 1
- 1. Night and Fog: A History of Gazes 55
- 2. Memory of the Camps: The Rescue of an Abandoned Film 71
- 3. Opening the Camps, Closing the Eyes: Image, History, Readability 84
- 4. Resnais and the Dead 126
- 5. Night and Fog and the Concentrationary Gaze 140
- 6. Auschwitz as Allegory in Night and Fog 152
- 7. Night and Fog and Posttraumatic Cinema 184
- 8. Fearful Imagination: Night and Fog and Concentrationary Memory 200
- 9. Disruptive Histories: Towards a Radical Politics of Remembrance in Alain Resnais’s Night and Fog 215
- 10. Cinema as a Slaughterbench of History: Night and Fog 239
- 11. Death in the Image: The Responsibility of Aesthetics in Night and Fog (1955) and Kapò (1959) 259
- Bibliography 303
- Notes on Contributors 321
- Index 325
Chapters in this book
- Frontmatter i
- Contents v
- List of Plates from Night and Fog vii
- List of Figures ix
- Foreword xi
- Acknowledgements xii
- Introduction: Concentrationary Cinema 1
- 1. Night and Fog: A History of Gazes 55
- 2. Memory of the Camps: The Rescue of an Abandoned Film 71
- 3. Opening the Camps, Closing the Eyes: Image, History, Readability 84
- 4. Resnais and the Dead 126
- 5. Night and Fog and the Concentrationary Gaze 140
- 6. Auschwitz as Allegory in Night and Fog 152
- 7. Night and Fog and Posttraumatic Cinema 184
- 8. Fearful Imagination: Night and Fog and Concentrationary Memory 200
- 9. Disruptive Histories: Towards a Radical Politics of Remembrance in Alain Resnais’s Night and Fog 215
- 10. Cinema as a Slaughterbench of History: Night and Fog 239
- 11. Death in the Image: The Responsibility of Aesthetics in Night and Fog (1955) and Kapò (1959) 259
- Bibliography 303
- Notes on Contributors 321
- Index 325