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1. Mae Naak and Phra Ram: Keeping Company on the Contemporary Thai Stage
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Catherine Diamond
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Preface and Acknowledgments vii
- Introduction 1
-
PART I: The Growing Impact of Women
- 1. Mae Naak and Phra Ram: Keeping Company on the Contemporary Thai Stage 27
- 2. Staging the Doi Moi Generation and the Treasures of Vietnamese Tradition 60
- 3. Looking Within: The Balinese Rwa Bhineda and Readjusting Complementary Opposites 91
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PART II: Censorship and Global Economics
- 4. Cambodia’s Artistic Renaissance or a New Culture of Dependency? 121
- 5. Singapore’s Cosmopolitan Identity and Its Theatrical Shadow 151
- 6. Dancing with the Censors: Burmese Performing Arts Keep Time 184
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PART III: Toward a National Culture
- 7. The Philippine Theatre’s Quest for a Hero(ine) 215
- 8. From Fa Ngoum to Hip-Hop Boom: The Faces of Lao Performance 246
- 9. Durians, Diversity, and Independence: The Malaysian Theatre Stages Its Multiethnic Heritage 276
- Conclusion 309
- Notes 331
- Bibliography 359
- Index 377
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Preface and Acknowledgments vii
- Introduction 1
-
PART I: The Growing Impact of Women
- 1. Mae Naak and Phra Ram: Keeping Company on the Contemporary Thai Stage 27
- 2. Staging the Doi Moi Generation and the Treasures of Vietnamese Tradition 60
- 3. Looking Within: The Balinese Rwa Bhineda and Readjusting Complementary Opposites 91
-
PART II: Censorship and Global Economics
- 4. Cambodia’s Artistic Renaissance or a New Culture of Dependency? 121
- 5. Singapore’s Cosmopolitan Identity and Its Theatrical Shadow 151
- 6. Dancing with the Censors: Burmese Performing Arts Keep Time 184
-
PART III: Toward a National Culture
- 7. The Philippine Theatre’s Quest for a Hero(ine) 215
- 8. From Fa Ngoum to Hip-Hop Boom: The Faces of Lao Performance 246
- 9. Durians, Diversity, and Independence: The Malaysian Theatre Stages Its Multiethnic Heritage 276
- Conclusion 309
- Notes 331
- Bibliography 359
- Index 377