Chapters in this book

1. Frontmatter i
2. Contents v
3. note to readers vii
4. Preface ix
5. Introduction 1
6. 1. The Global and the Local in the Origins of the Raku Technique 13
7. 2. Anomie and Innovation in Kyoto 41
8. 3. Inventing Early Modern Identity 69
9. 4. Institutionalization of the Iemoto Gaze 89
10. 5. Reproduction and Appropriation in the Nationwide Dispersal of the Raku Technique 111
11. 6. Inventing Modern Identity 133
12. Epilogue 161
13. Notes 167
14. Bibliography 211
15. Index 231
16. About the author 237