This publication is presented to you through Paradigm Publishing Services

University of Hawai'i Press

Home University of Hawai'i Press Afterword. The Four and the Five
Chapter
Licensed
Unlicensed Requires Authentication

Afterword. The Four and the Five

  • Joseph Rykwert
© University of Hawaii Press, Honolulu

© University of Hawaii Press, Honolulu

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments vii
  4. A Note on Chinese Names and Other Clarifications ix
  5. Introduction xi
  6. Part I. Divergence to Convergence
  7. 1. Chinese Architecture on the Eve of the Beaux-Arts 3
  8. 2. Just What Was Beaux-Arts Architectural Composition? 23
  9. Part II. Convergence to Influence
  10. 3. Convergence to Influence: Introductory Perspectives 41
  11. 4. Chinese Architecture Students at the University of Pennsylvania in the 1920s: Tradition, Exchange, and the Search for Modernity 45
  12. 4. An Outline of Beaux-Arts Education in China: Transplantation, Localization, and Entrenchment 73
  13. 5. A Classicist Architecture for Utopia: The Soviet Contacts 91
  14. 6. Beaux-Arts Practice and Education by Chinese Architects in Taiwan 127
  15. Part III. Influence to Paradigm
  16. Influence to Paradigm: Introductory Perspectives 147
  17. Yang Tingbao, Dong Dayou, and Liang Sicheng. Modern and Ancient
  18. 7. Yang Tingbao, China’s Modern Architect in the Twentieth Century 153
  19. 8. Between Beaux-Arts and Modernism. Dong Dayou and the Architecture of 1930s Shanghai 169
  20. 9. Elevation or Façade: A Re-evaluation of Liang Sicheng’s Interpretation of Chinese Timber Architecture in the Light of Beaux-Arts Classicism 193
  21. Lü Yanzhi, Zhang Kaiji, and Zhang Bo. Republican and Early Socialist Politics
  22. 10. From Studio to Practice. Chinese and Non-Chinese Architects Working Together 207
  23. 11. Ritual, Architecture, Politics, and Publicity during the Republic: Enshrining Sun Yat-sen 223
  24. 12. The Sun Yat-sen Memorial Auditorium: A Preaching Space for Modern China 279
  25. 13. Zhang vs. Zhang: Symmetry and Split: A Development in Chinese Architecture of the 1950s and 1960s 301
  26. Chinese Cities. Beaux-Arts Plans and Post-Beaux-Arts Urbanism
  27. 14. The Beaux-Arts in Another Register. Governmental Administrative and Civic Centers in City Plans of the Republican Era 315
  28. 15. Chinese Urbanism beyond the Beaux-Arts 333
  29. Afterword. The Four and the Five 361
  30. Contributors 369
  31. Index 373
Chinese Architecture and the Beaux-Arts
This chapter is in the book Chinese Architecture and the Beaux-Arts
Downloaded on 15.3.2026 from https://www.degruyterbrill.com/document/doi/10.1515/9780824861018-021/html
Scroll to top button