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Notes to the Reader
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Series Editor’s Preface xiii
- Acknowledgments xv
- Notes to the Reader xix
- Introduction xxi
- 1. Tradition Is a Foreign Country 1
- 2. Nationalism and the Writing of New Histories 35
- 3. Literati Painting as the “Oriental Modern” 54
- 4. Wu Changshuo’s Japanese Circle: Between Patronage and Style 77
- 5. Six Exhibitions and Sino-Japanese Diplomacy 100
- Conclusion 123
- Notes 127
- Glossary 157
- Bibliography 165
- Index 183
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Series Editor’s Preface xiii
- Acknowledgments xv
- Notes to the Reader xix
- Introduction xxi
- 1. Tradition Is a Foreign Country 1
- 2. Nationalism and the Writing of New Histories 35
- 3. Literati Painting as the “Oriental Modern” 54
- 4. Wu Changshuo’s Japanese Circle: Between Patronage and Style 77
- 5. Six Exhibitions and Sino-Japanese Diplomacy 100
- Conclusion 123
- Notes 127
- Glossary 157
- Bibliography 165
- Index 183