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People Feel No Event Is Complete without a Poet
-
Duncan Brown
and Susan Kiguli
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Chapters in this book
- Frontmatter i
- Contents v
-
I. Introduction
- Auto/biographical Identities: Placing Selves in Question 1
- Auto/biographical Accounts in South Africa in Three Parts 10
- Thematic and Theoretical Issues in Southern African Auto/biography: An Overview 38
- Scope of the Collection 62
- Bibliography 83
-
II. Singing the Praises, Performing the Persona
- Versions of a Life in Poetry 117
- People Feel No Event Is Complete without a Poet 132
- Folk Music as Popular Culture: A Life-history Approach 148
-
III. Representing Silence
- I. Speak Their Wordless Woe 153
- Making History’s Silences Speak 160
-
IV. Relating the Self
- Creating a Climate for Change 173
- This Miracle of a Book . . . It’s Just Like the Bible to Me 186
- Collaborators 200
- The Making of Katie Makanya 205
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V. Fact or Fiction
- All Autobiography Is Autre-biography 213
- We Would Write Very Dull Books If We Just Wrote about Ourselves 219
- Writing Autobiography and Writing Fiction 231
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VI. Subject to Metaphor
- Aquifers and Auto/biography in Namibia 254
- Reflections on Identity 269
- Rhythmic Redoublings 277
-
VII. From Daughters to Mothers
- “Mummy, the Coolie Doctor Is at the Door” 291
- Why Do You Abandon Me? I Am Your Daughter. Re-presenting Dona Ermelinda 303
- Every Secret Thing as Family Memoir 315
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VIII. Disarming White Men
- White Men with Weapons: Performing Autobiography 329
- Reflections in a Cracked Mirror 345
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IX. Commemoration, Confession, Conversion
- These Two Autobiographical Books Are My Identity Document 357
- Philosophical Reflections on Chronicles of Conversion 366
-
X. Confessing Sexualities
- Speaking about Writing about Living a Life 379
- Man-bitch: Poetry, Prose, and Prostitution 395
-
XI. Re-collecting the New Nation
- Group Portrait: Self, Family, and Nation on Exhibit 409
- Resituating Ourselves: Homelessness and Collective Testimony as Narrative Therapy 436
- Glossary 451
- Contributors 457
- Index 469
Chapters in this book
- Frontmatter i
- Contents v
-
I. Introduction
- Auto/biographical Identities: Placing Selves in Question 1
- Auto/biographical Accounts in South Africa in Three Parts 10
- Thematic and Theoretical Issues in Southern African Auto/biography: An Overview 38
- Scope of the Collection 62
- Bibliography 83
-
II. Singing the Praises, Performing the Persona
- Versions of a Life in Poetry 117
- People Feel No Event Is Complete without a Poet 132
- Folk Music as Popular Culture: A Life-history Approach 148
-
III. Representing Silence
- I. Speak Their Wordless Woe 153
- Making History’s Silences Speak 160
-
IV. Relating the Self
- Creating a Climate for Change 173
- This Miracle of a Book . . . It’s Just Like the Bible to Me 186
- Collaborators 200
- The Making of Katie Makanya 205
-
V. Fact or Fiction
- All Autobiography Is Autre-biography 213
- We Would Write Very Dull Books If We Just Wrote about Ourselves 219
- Writing Autobiography and Writing Fiction 231
-
VI. Subject to Metaphor
- Aquifers and Auto/biography in Namibia 254
- Reflections on Identity 269
- Rhythmic Redoublings 277
-
VII. From Daughters to Mothers
- “Mummy, the Coolie Doctor Is at the Door” 291
- Why Do You Abandon Me? I Am Your Daughter. Re-presenting Dona Ermelinda 303
- Every Secret Thing as Family Memoir 315
-
VIII. Disarming White Men
- White Men with Weapons: Performing Autobiography 329
- Reflections in a Cracked Mirror 345
-
IX. Commemoration, Confession, Conversion
- These Two Autobiographical Books Are My Identity Document 357
- Philosophical Reflections on Chronicles of Conversion 366
-
X. Confessing Sexualities
- Speaking about Writing about Living a Life 379
- Man-bitch: Poetry, Prose, and Prostitution 395
-
XI. Re-collecting the New Nation
- Group Portrait: Self, Family, and Nation on Exhibit 409
- Resituating Ourselves: Homelessness and Collective Testimony as Narrative Therapy 436
- Glossary 451
- Contributors 457
- Index 469