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People Feel No Event Is Complete without a Poet

  • Duncan Brown and Susan Kiguli
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Selves in Question
This chapter is in the book Selves in Question
© University of Hawaii Press, Honolulu

© University of Hawaii Press, Honolulu

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. I. Introduction
  4. Auto/biographical Identities: Placing Selves in Question 1
  5. Auto/biographical Accounts in South Africa in Three Parts 10
  6. Thematic and Theoretical Issues in Southern African Auto/biography: An Overview 38
  7. Scope of the Collection 62
  8. Bibliography 83
  9. II. Singing the Praises, Performing the Persona
  10. Versions of a Life in Poetry 117
  11. People Feel No Event Is Complete without a Poet 132
  12. Folk Music as Popular Culture: A Life-history Approach 148
  13. III. Representing Silence
  14. I. Speak Their Wordless Woe 153
  15. Making History’s Silences Speak 160
  16. IV. Relating the Self
  17. Creating a Climate for Change 173
  18. This Miracle of a Book . . . It’s Just Like the Bible to Me 186
  19. Collaborators 200
  20. The Making of Katie Makanya 205
  21. V. Fact or Fiction
  22. All Autobiography Is Autre-biography 213
  23. We Would Write Very Dull Books If We Just Wrote about Ourselves 219
  24. Writing Autobiography and Writing Fiction 231
  25. VI. Subject to Metaphor
  26. Aquifers and Auto/biography in Namibia 254
  27. Reflections on Identity 269
  28. Rhythmic Redoublings 277
  29. VII. From Daughters to Mothers
  30. “Mummy, the Coolie Doctor Is at the Door” 291
  31. Why Do You Abandon Me? I Am Your Daughter. Re-presenting Dona Ermelinda 303
  32. Every Secret Thing as Family Memoir 315
  33. VIII. Disarming White Men
  34. White Men with Weapons: Performing Autobiography 329
  35. Reflections in a Cracked Mirror 345
  36. IX. Commemoration, Confession, Conversion
  37. These Two Autobiographical Books Are My Identity Document 357
  38. Philosophical Reflections on Chronicles of Conversion 366
  39. X. Confessing Sexualities
  40. Speaking about Writing about Living a Life 379
  41. Man-bitch: Poetry, Prose, and Prostitution 395
  42. XI. Re-collecting the New Nation
  43. Group Portrait: Self, Family, and Nation on Exhibit 409
  44. Resituating Ourselves: Homelessness and Collective Testimony as Narrative Therapy 436
  45. Glossary 451
  46. Contributors 457
  47. Index 469
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