Appetites: Works Cited

Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. INTRODUCTION ix
4. NOTES FOR AN INTRODUCTION xix
5. ABBREVIATIONS xxv
6. I PHILOLOGIES
7. 1. What Did the First Copies of the Comedy Look Like? 1
8. 2. Early Editorial Forms of Dante's Lyrics 16
9. 3. Material Philology, Conjectural Philology, Philology without Adjectives 44
10. Philologies: Works Cited 56
11. II APPETITES
12. 4. Beyond (Courtly) Dualism: Thinking about Gender in Dante's Lyrics 63
13. 5. Queering Nature, Queering Gender: Dante and Sodomy 90
14. 6. Does the Stilnovo Go to Heaven? 104
15. 7. Love for Beatrice: Transcending Contradiction in the Paradiso 115
16. Appetites: Works Cited 131
17. III PHILOSOPHIES
18. 8. Mysticism and Meaning in Dante's Paradiso 141
19. 9. The Heaven of the Sun: Dante between Aquinas and Bonaventure 152
20. 10. Vulgarizing Science: Vernacular Translation of Natural Philosophy 169
21. 11. The Body and the Flesh in the Purgatorio 183
22. 12. From Plurality to (Near) Unicity of Forms: Embryology in Purgatorio 25 192
23. 13. Quando amor fa sentir de Ia sua pace 211
24. Philosophies: Works Cited 228
25. IV RECEPTION
26. 14. Virility, Nobility, and Banking: The Crossing of Discourses in the Tenzone with Forese 239
27. 15. Scatology and Obscenity in Dante 259
28. 16. On Dante and the Visual Arts 274
29. Reception: Works Cited 293
30. V HISTORIES
31. 17. Dante's Jeremiads: The Fall of Jerusalem and the Burden of the New Pharisees, the Capetians, and Florence 299
32. 18. From Francis to Solomon: Eschatology in the Sun 320
33. 19. Already and Not Yet: Dante's Existential Eschatology 334
34. 20. Dante after Dante 349
35. Histories: Works Cited 369
36. VI REWRITINGS
37. 21. Ovid and the Exul Inmeritus 387
38. 22. The Re-Formation of Marsyas in Paradiso 1 408
39. 23. Dante in England 422
40. 24. Moby-Dante? 435
41. 25. Still Here: Dante after Modernism 451
42. Rewritings: Works Cited 465
43. Notes on Contributors 474
44. Index 479