Theology as a Genre of the Blues

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Introduction: The Manifold of Theopoetics 1
4. Poetics
5. Reality, Eternality, and Colors 15
6. (Theo)poetic Naming and the Advent of Truths 30
7. Kierkegaardian Theopoiesis 47
8. Theology as a Genre of the Blues 64
9. Polyphony
10. Poiesis, Fides, et Ratio in the Absence of Relativism 81
11. The World as an Ultimate 97
12. The Gravity of Love 109
13. Sub-version
14. Theopoetics as Radical Theology 125
15. Toward the Heraldic 142
16. The Sublime, the Conflicted Self, and Attention to the Other 159
17. The Pluri-verse
18. Theopoiesis and the Pluriverse 179
19. Consider the Lilies and the Peacocks 195
20. Becoming Intermezzo 212
21. After-Word
22. Silence, Theopoetics, and Theologos 239
23. Notes 255
24. Contributors 295
25. Index 301
26. Perspectives in Continental Philosophy 305